"Well," he said, "it's so jolly risky. These things, you know, only
end one way."
Fanny's eyes said plainly that to _their_ vision all sorts of ways
were possible.
"If it were any other man but----" He stopped short at Furnival's
name.
Fanny lowered her eyes almost as if she had been convicted of
indiscretion.
"You see," she said, "any other man wouldn't do. He's the one and
only man. There never was any other. That's the awful part of it for
her."
"Then why on earth did she marry the other fellow?"
"Because Furny couldn't marry her. And he wouldn't, either. That's
not his way."
"I know it's not his way. And if Viveash took steps, what then?"
"Then perhaps--he'd have to."
"Good Lord----"
"Oh, it isn't a deep-laid plan."
"I never said it was."
He didn't think it. Marriages had been made at Amberley, and
divorces, too; not by any plan of Fanny's, but by the risks she
took. Seeing the dangerous way she mixed things, he didn't, he
couldn't suspect her of a plan, but he did suspect her of an unholy
joy in the prospect of possible explosions.
"Of course," she said, reverting to her vision, "of course he'd have
to."
She looked at Straker with eyes where mischief danced a fling. It
was clear that in that moment she saw Laurence Furnival the profane,
Furnival the scorner of marriage, caught and tied: punished (she
scented in ecstasy the delicate irony of it), so beautifully
punished there where he had sinned.
Straker began to have some idea of the amusement Fanny got out of
her house parties.
For a moment they had no more to say. All around them there was
silence, born of Mrs. Viveash and her brooding, of young Reggy's
trouble with Miss Probyn, and of some queer triangular complication
in the converse of Brocklebank, Lady Paignton, and Mr. Higginson. In
that moment and that pause Straker thought again of Miss Tarrant. It
was, he said to himself, the pause and the moment for her
appearance. And (so right was he in his calculation) she appeared.
II
He saw her standing in the great doorway of the east wing where the
three steps led down on to the terrace. She stood on the topmost
step, poised for her descent, shaking her scarf loose to drift in a
white mist about her. Then she came down the terrace very slowly,
and the measured sweep of her limbs suggested that all her movements
would be accomplished to a large rhythm and with a superb delay.
Public-domain text, read in full here on John Shaqi.
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