“Nellie, that is a blow that I did not look for! You have stabbed me with a poisoned weapon! Yes, Nellie, I _am_ poor! So was Edgar Poe. What the world calls poor! I shall, in all likelihood, never be rich... what the world calls rich. But I have my art! I have my ideals! I have my inner life! I have my dreams! Poor? Poor? Yes, Nell! Poor! So was Robert Burns! I am poor! I make no compromise with the mob. Nor shall I ever debase my gift for money. No! Such as I am, I shall bear the torch that has been intrusted to me till I fall fainting at the goal! I have a message. To me it is precious stuff, and I shall not alloy it with the dross called gold. Poor? Yes, Nell! And you have the heart to cast it in my teeth! You, Nellie! You, from whom I once expected sympathy and understanding. You, whom I chose from all the world, and took into my life because I fancied that you, too, saw the vision! Yes, Elinor, I dreamed _that_ once!” II Mr. Wimple achieved pathos... almost tragedy. To a trivial mind, however, the effect might have been somewhat spoiled by the fact that in his fervour he gesticulated wildly with the wooden paddle in one hand and an undergarment belonging to Ronald in the other. The truly sensitive soul would have seen these things as emphasizing his pathos. Mrs. Wimple, when Mr. Wimple became lyric in his utterance, often had the perverse impulse to answer him in a slangy vernacular which, if not actually coarse, was not, on the other hand, the dialect of the aesthete. For some months now, she had noticed, whenever Ferdinand took out his soul and petted it verbally, she had had the desire to lacerate it with uncouth parts of speech. Ordinarily she frowned on slang; but when Ferdinand's soul leaped into the arena she found slang a weapon strangely facile to her clutch.