American fiction -- 20th century; Short stories, American
You see, my friend? It is now my profession, every afternoon for three
hours, to join the promenade; to display my 'at; to make fast in
the minds of the people 'ow fortunate a discovery is the anti-fat of
Monsieur Blinn.
Monsieur, I am always the gentleman. Am I forced into a vulgar role?
Well, then, there is something about me that redeems it from vulgarity.
I am a movable advertisement, but none the less I am an advertisement of
dignity. Those clothes they furnish, I 'ave made under my own direction.
I adorn my foot in the most poetical of boots. Only a Frenchman might
'ave created my coat. My trousers are poems. I am dressed with that
inspiration of elegance which only a man of my imagination might devise.
Monsieur, I am always the artist. That 'at, I nevaire let 'im go up with
a pop like a jacking-jump. 'E is not to startle the most sensitive of
ladies. W'en 'e arise, 'e arise slowly. 'E is majestic in 'is movement.
'E ascend with gravity. 'E go up with dignity.
For three hours each day, I thus set aside my finer emotions. And all
the town smile; and many 'undreds rush to buy the anti-fat of Monsieur
Blinn. 'Ow is it that the Widow Flanagan----
Curses upon the perfidy of woman! Do not 'old me, I say! Let me go! I
will leap from your window to the stones below! Well, I will restrain
myself. Yes, I will 'ave a drink. _Merci!_
'Ow is it that the Widow Flanagan does not perceive that I thus make of
my 'ead a billboard three hours each day? Monsieur, all Frenchmen are of
an originality w'en driven to it by fate, and not the least of them am
I! To 'er I am still the poor but 'andsome artist. It is in the parlours
of the agent of advertising that I dress myself, I don the 'at, each
day. I wear before my eyes a thick spectacles; I 'ide my black 'air
beneath a gray wig; I 'ave shave my own beard and each day put on
moustache and royal of a colour the same with the wig. There is no
danger that the grave foreigner, so courteous, so elegant, so much the
statesman, who condescend to advertise the anti-fat of Monsieur Blinn,
shall be--shall be--w'at you call 'im?--spotted by the Widow Flanagan.
She does not connect 'im with the 'andsome artist who in'abit 'er
skylight chamber. To do so would be to kill my 'opes. For love is not to
be made ridiculous.
I prosper. I 'ave money each week. I eat. I acquire me some clothes
which are not the same with those worn by the employee of Monsieur
Blinn. I buy me a silk 'at which 'ave no clockwork in 'is inside. I
acquire the--w'at you call 'im?--the front. I dine at the café of the
Widow Flanagan beyond the street. I chat with the Widow Flanagan w'en
I pay my check. Monsieur, the Widow Flanagan at las' know the 'andsome
Frenchman exist! The front, 'e work like a charm. 'E give the genius
beneath 'im the chance to show w'at 'e can do. The front, 'e make--'ow
you call 'im?--'e make good.
Public-domain text, read in full here on John Shaqi.
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