American fiction -- 20th century; Short stories, American
I was an artist in a side-show for years, gentlemen, and connected with
one of the biggest circuses in the world. I could have my choice of
three jobs with any show I was with, and there ain't many could say
that. I could be billed as the India Rubber Man, on account of my skin,
or I could be billed as the Living Skeleton, on account of my framework,
or I could be billed as the Glass Eater. And once or twice I was billed
as all three.
But mostly I didn't bother much with eating glass or being a Living
Skeleton. Mostly I stuck to being an India Rubber Man. It always seemed
to me there was more art in that, more chance to show talent and genius.
The gift that was given to me by Providence I developed and trained
till I could do about as much with my skin as most people can with their
fingers. It takes constant work and practice to develop a skin, even
when Nature has been kind to you like she has to me.
For years I went along contented enough, seein' the country and being
admired by young and old, and wondered at and praised for my gift and
the way I had turned it into an art, and never thinkin' much of women
nor matrimony nor nothing of that kind.
But when a man's downfall is put off, it is harder when it comes. When
I fell in love I fell good and hard. I fell into love with a pair of
Siamese twins. These here girls was tied together somewheres about the
waist line with a ligament of some kind, and there wasn't no fake about
it--they really was tied. On account of motives of delicacy I never
asked 'em much about that there ligament. The first pair of twins like
that who was ever on exhibition was from Siam, so after that they called
all twins of that kind Siamese twins. But these girls wasn't from none
of them outlandish parts; they was good American girls, born right over
in Ohio, and their names was Jones. Hetty Jones and Netty Jones was
their names.
Hetty, she was the right-hand twin, and Netty was the left-hand twin.
And you never seen such lookers before in your life, double nor single.
They was exactly alike and they thought alike and they talked alike.
Sometimes when I used to set and talk to 'em I felt sure they was
just one woman. If I could 'a' looked at 'em through one of these here
stereoscopes they would 'a' come together and been one woman, I never
had any idea about 'em bein' two women.
Well, I courted 'em, and they was mighty nice to me, both of 'em. I used
to give 'em candy and flowers and little presents and I would set and
admire 'em by the hour. I kept gettin' more and more into love with
them. And I seen they was gettin' to like me, too.
So one day I outs with it.
“Will you marry me?” says I.
“Yes,” says Hetty. And, “Yes,” says Netty. Both in the same breath! And
then each one looked at the other one, and they both looked at me, and
they says, both together:
“Which one of us did you ask?”
“Why,” says I, kind o' flustered, “there ain't but one of you, is they?
I look on you as practically one woman.”
Public-domain text, read in full here on John Shaqi.
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