“By the way, you will not be at work till to-morrow. I’ll leave you this to amuse you. It has not been out long. Thirteen thousand copies were sold the first day. It is the _Corsair_—Byron’s _Corsair_. My God, it _is_ poetry and no mistake! Not exactly, perhaps, in your line; but you are a man of sense, and if that doesn’t make your heart leap in you I’m much mistaken. Lord Byron is a neighbour of mine in the Albany. I know him by sight. I’ve waited a whole livelong morning at my window to see him go out. So much the more fool you, you’ll say. Ah, well, wait till you have read the _Corsair_.” The Major shook hands. Mrs. Coleman, who had been totally silent during the interview, excepting when she asked him if he would join in a cup of tea—an offer most gracefully declined—followed him to the top of the stairs. As before, he kissed her hand, made her a profound bow, and was off. When she came back into the room the faint flush on the cheek was repeated, and there was the same unusual little rippling overflow of kindness to her husband. In the evening Zachariah took up the book. Byron was not, indeed, in his line. He took no interest in him, although, like every other Englishman, he had heard much about him. He had passed on his way to Albemarle Street the entrance to the Albany. Byron was lying there asleep, but Zachariah, although he knew he was within fifty yards of him, felt no emotion whatever. This was remarkable, for Byron’s influence, even in 1814, was singular, beyond that of all predecessors and successors, in the wideness of its range. He was read by everybody. Men and women who were accessible to no other poetry were accessible to his, and old sea-captains, merchants, tradesmen, clerks, tailors, milliners, as well as the best judges in the land repeated his verses by the page.