elaborate three dimensional sculpture that stuck out from the ceiling,
depicting an intricate scene of figures and telling a story of some
great saga of war and peace, pride and prejudice, love and hate, faith
and betrayal, all combined to make the greatest mural: history, the
story of time itself.
As I looked in awe upon its beauty, I was startled by a voice coming
from an unseen figure somewhere on the center platform. It said, "Jehu,
you have come at last. Welcome."
The voice was very gentle and pleasing to the ears, slowly and
confidently spoken, meticulously articulated. I looked around in its
direction and saw a short, elderly gnome with a long white beard
reaching to his chest and a short crop of hair on his oblong head, which
was outfitted with a sharp, angular nose, a pair of sparkling eyes, and
two protruding ears. He was no more than four feet tall, and no less
than three, with a dignified poise to him, and was dressed in a dark
robe with a black and gold design on it. We looked at each other for a
moment, he smiling pleasantly and me expressionless, for though I felt
that I should be surprised, or at least bewildered, at the sight of a
gnome in an underground cavern, I was not, it was as if I had almost
been expecting it to happen, as if in the back of my mind I had already
been there and done that. Perhaps it was only a case of predestined deja
vu, or maybe it was something less tangible. Either way, the gnome then
broke the silence again, saying:
"Let me introduce myself, Jehu. I am Onan, the Lord of the Past, and
these are the Chambers of History."
He then paused for a moment, waiting for my reaction, which was, again,
not too much surprised, but rather complacent, thought I didn't look
bored or snobbish, as is sometimes the case in that situation. Instead I
became as genial as possible, realizing that whatever force was behind
this, it was greater than I.
"Hello, Onan, it is pleasure to meet you," I said, advancing with a
proffered hand extended towards him, which I realized belatedly made me
appear oafish, but he took it good-naturedly, and with his pleasantness
eliminated my unease at shaking the hand of one half my size. He then
beckoned for me to follow him, and turned and walked to the center of
the platform, where he unexpectedly laid down on his back, facing the
muraled dome. I did the same, somewhat hesitantly, though I found it to
be quite comfortable once I was down. He saw my sluggishness and by way
of explanation said to me:
"Do not be troubled, my dear Jehu, for we lie on our backs to bring
about clarity of mind."
Then he continued speaking, calling my attention to the sculptured dome:
"That is history," he said.
"What do you mean," I asked, "I've always viewed history as an organic
being, constantly growing as it devours the present."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account