The city of Nunami was also revealed to me for the first time in depth.
As I have said, it was surrounded by a thick, tall wall made of stones
and precious jewels, with four gates, one at the furthest extreme in
each direction. It was a circular city, made mostly of the same
materials as the wall and temple, which were a plain, silvery stone; a
dark rock with inherent patterns; a mixture of cobblestone and a
colorful compositor rock; and a vast array of metals, everything from
brass to silver to platinum. Made in an ancient style, the buildings
were tall, the average being what was equivalent to at least a dozen or
two stories in the pre-desolation times, and they were close together,
built along roads paved with cobblestone and lined with trees whose
girth, though not as monstrous as those in the wild, was still great.
There were farm fields and vineyards and orchards and meadows for
grazing animals all within the city walls, and not just congregated
around the outside, for there were buildings all around the wall's
perimeter, but scattered among the other buildings in a natural and
pleasing way. In the southern part there was a lake that was of fair
size, and a fleet of fishing boats anchored at its shore showed that it
did its part to contribute to the city's well-being. Several of the
trees throughout the city were especially conspicuous in their grandeur,
for they rose hundreds of feet from the ground and had great waterfalls
flowing down from their tops, as if they were crying great torrents of
tears down from their aged faces, though if in sadness or joy, I
couldn't tell.
To the east there was land visible from the height at which I found
myself, though in the distance it became hazy and I could not make out
its distinct features. It was evidentially corrupted, however, for it
had an uneasy look about it, as did the ocean, which was a faint, pale
shadow of the rich blue it was in my childhood days. The sky as well was
tainted, and it looked to be filled with the accumulated atrocities of
countless generations. The clouds were thick and bluish, and the
spherical mural of the sky itself had been greatly dried, cracked, and
crumbled since my time, for it bore the marks of pain, the marks of the
labor pains of the earth's last gestating doom. And well they should, I
thought, for in the years since my natural life it had seen much
suffering and much destruction.
The King broke the silence, saying, "Lovely, isn't it, Jehu? And it is
all yours for the taking."
"What do you mean," I asked him.
"Exactly what I said, the whole world is yours, if you want it."
"But how?"
"All you have to do is join us, the Futurists, and we will reward you
with all the power and glory that you can imagine."
Public-domain text, read in full here on John Shaqi.
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