The Chief hath spoken: let his will
Be law, ye Trojans.--Raise the cry
To Arms! To Arms! and down the line
Of allies pass the battle-sign.
The God of Ilion liveth still;
And men may conquer ere they die.
[_Exeunt._
NOTES
The play presupposes a knowledge of the Iliad in some form, if not
exactly in the form which it now wears. We are not only supposed to know
that Hector, son of Priam, leads the Trojans and their allies ("Trojans,
and Lycians, and Dardans bold": in tragedy they are also called
Phrygians) in defence against the Greeks--Argives, Achaeans,
Hellênes--under Agamemnon, king of men, and his brother Menelaüs,
husband of Helen. This sort of supposition is usual in all Greek
tragedy. It merely means that the poet takes for granted the main
outlines of the heroic saga. But in this play we are also supposed to
take up the story as it stands at the opening of the Doloneia or Tenth
Book of the Iliad. Indeed one might almost say that the _Rhesus_ is
simply the Doloneia turned into drama and set in the Trojan camp. The
only other play that is taken straight from Homer is the Satyr-play,
_Cyclops_, which tells the story of Odyssey IX., but it is likely enough
that if we possessed more of the earlier epic literature we should find
many other plays closely hugging their traditional sources.--The Trojans
are camping out on the field of battle, close to the Greek lines.
Hector, always ready for danger, seems to have his tent or log-hut set
up quite in the van, just behind the outposts. In Il. X. 415 ff. he is
holding counsel with the other chieftains "away from the throng"; the
allies are taking their sleep and trusting to the Trojans, who keep
awake in groups round the camp fires; no watchword is mentioned.
P. 5, l. 30, The priest.]--He would be needed to make the sacrifice
before battle.
P. 5, l. 36, The lash of trembling Pan.]--_i.e._, a panic.
P. 5, l. 41, Great beacons in the Argive line.]--In the Iliad it is the
Trojan watch-fires that are specially mentioned, especially VIII.
553-end. There is no great disturbance in the Greek camp in the
Doloneia; there is a gathering of the principal chiefs, a visit to the
Guards, and the despatch of the two spies, but no general tumult such as
there is in Book II. One cannot help wondering whether our playwright
found in his version of the Doloneia a description of fires in the Greek
camp, such as our Eighth Book has of those in the Trojan camp. The
object might be merely protection against a night attack, or it might be
a wish to fly, as Hector thinks. If so, presumably the Assembly changed
its mind--much as it does in our Book II.--and determined to send spies.
Public-domain text, read in full here on John Shaqi.
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