The riddle of the rocks: 1895Craddock, Charles Egbert
General
The riddle of the rocks: 1895
Craddock, Charles Egbert
Fiction
But what transcendent glories thronged the heavens--what august
splendors of dawn! Had the sun ever before risen like this, with the sky
an emblazonment of red, of gold, of darting gleams of light; with the
mountains most royally purple or most radiantly blue; with the prismatic
mists in flight; with the slow climax of the dazzling sphere ascending
to dominate it all?
The blacksmith knelt down to read. The musician, his silent violin under
his chin, leaned over his comrade's shoulder. The hunter stood still,
expectant.
Alas! the corrugations of time; the fissile results of the frost; the
wavering line of ripple-marks of Seas that shall ebb no more; growth of
lichen; an army of ants in full march; a passion-flower trailing from
a crevice, its purple blooms lying upon the gray stone near where it
is stamped with the fossil imprint of a sea-weed, faded long ago and
forgotten. Or is it, alas! for the eyes that can see only this?
The blacksmith looked up with a twinkling leer; the violinist recovered
his full height, and drew the bow dashingly across the strings; then let
his arm fall.
“Roger,” the blacksmith said, “dad-burned ef I kin read ennything hyar.”
The young musician looked over his brawny shoulder in silence.
“Whar d'ye make out enny letters, Roger?” persisted Spears.
Purdee leaned over and eagerly pointed with his ramrod to a curious
corrugation of the surface of the rock. Again the blacksmith bent down;
the musician craned forward, his yellow hair hanging about his bronzed
face.
“I hev been toler'ble well acquainted with the alphabit,” said Spears,
“fur goin' on thirty year an' better, an' I'll swar ter Heaven thar
ain't nare sign of a letter thar.”
Purdee stared at him in wild-eyed amazement for a moment. Then he flung
himself upon his knees beside the great rock, and guiding his ramrod
over the surface, he exclaimed, “Hyar, Spears; right hyar!”
The blacksmith was all incredulous as he lent himself to a new posture,
and leaned forward to look with the languid indulgence of one who will
not again entertain doubt.
“Nare A, nor B, nor C, nor none o' the fambly,” he declared. “These hyar
rocks ain't no Moses' tables sure enough; Moses never war in Tennessee.
They be jes like enny other rock, an' thar ain't a word o' writin' on
'em.”
He looked up with a curious questioning at Pur-dee's face--a strange
face for a man detected in a falsehood, a trick. The deep-set eyes were
wide as if straining for perception denied them. Despite the chill,
rare air, great drops had started on his brow, and were falling upon
his beard, and upon his hands. These strong hands were quivering; they
hovered above the signs on the rocks. The mystic letters, the inspired
words, where were they? Grope as he might, he could not find them. Alas!
doubt and denial had climbed the mountain--the awful limitations of
the more finite human creature--and his inspiration and the finer
enthusiasms of the truth were dead.
Public-domain text, read in full here on John Shaqi.
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