The riddle of the rocks: 1895Craddock, Charles Egbert
General
The riddle of the rocks: 1895
Craddock, Charles Egbert
Fiction
And although the rigors of the winter were in abeyance, and the late
purple aster called the Christmas-flower bloomed in the sheltered grass
at the door, the forge fire, flaring or dully glowing, overhung with its
dusky hood, was a friendly thing to see, and in its vague illumination
the rude interior of the shanty--the walls, the implements of the trade,
the bearded faces grouped about, the shadowy figures seated on whatever
might serve, a block of wood, the shoeing-stool, a plough, or perched on
the anvil--became visible to Roger Purdee from far down the road as
he approached. Even the head of a horse could be seen thrust in at the
window, while the brute, hitched outside, beguiled the dreary waiting by
watching with a luminous, intelligent eye the gossips within, as if he
understood the drawling colloquy. They were suffering some dearth of
timely topics, supplying the deficiency with reminiscences more or less
stale, and had expected no such sensation as they experienced when a
long shadow fell athwart the doorway,--the broad aperture glimmering a
silvery gray contrasted with the brown duskiness of the interior and
the purple darkness of the distance; the forge fire showed Purdee's tall
figure leaning on the doorframe, and lighted up his serious face beneath
his great broad-brimmed hat, his intent, earnest eyes, his tangled black
beard and locks. He gave no greeting, and silence fell upon them as his
searching gaze scanned them one by one.
“Whar's Job Grinnell?” he demanded, abruptly.
There was a shuffling of feet, as if those members most experienced
relief from the constraint that silence had imposed upon the party. A
vibration from the violin--a sigh as if the instrument had been suddenly
moved rather than a touch upon the strings--intimated that the young
musician was astir. But it was Spears, the blacksmith, who spoke.
“Kem in, Roger,” he called out, cordially, as he rose, his massive
figure and his sleek head showing in the dull red light on the other
side of the anvil, his bare arms folded across his chest. “Naw, Job
ain't hyar; hain't been hyar for a right smart while.”
There was a suggestion of disappointment in the attitude of the
motionless figure at the door. The deeply earnest, pondering face,
visible albeit the red light from the forge-fire was so dull, was keenly
watched. For the inquiry was fraught with peculiar meaning to those
cognizant of the long and bitter feud.
“I ax,” said Purdee, presently, “kase Grinnell sent me a mighty cur'ous
word the t'other day.” He lifted his head. “Hev enny o' you-uns hearn
him 'low lately ez I claim ennything ez ain't mine?”
There was silence for a moment. Then the forge was suddenly throbbing
with the zigzagging of the bow of the violin jauntily dandering along
the strings. His keen sensibility apprehended the sudden jocosity as
a jeer, but before he could say aught the blacksmith had undertaken to
reply.
Public-domain text, read in full here on John Shaqi.
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