The Rise of IskanderDisraeli, Benjamin, Earl of Beaconsfield
General
The Rise of Iskander
Disraeli, Benjamin, Earl of Beaconsfield
Fiction
Produced by K. Kay Shearin
THE RISE OF ISKANDER
By Benjamin Disraeli
CHAPTER 1
The sun had set behind the mountains, and the rich plain of Athens was
suffused with the violet glow of a Grecian eye. A light breeze rose; the
olive-groves awoke from their noonday trance, and rustled with returning
animation, and the pennons of the Turkish squadron, that lay at anchor
in the harbour of Piræus, twinkled in the lively air. From one gate
of the city the women came forth in procession to the fountain; from
another, a band of sumptuous horsemen sallied out, and threw their
wanton javelins in the invigorating sky, as they galloped over the
plain. The voice of birds, the buzz of beauteous insects, the breath of
fragrant flowers, the quivering note of the nightingale, the pattering
call of the grasshopper, and the perfume of the violet, shrinking from
the embrace of the twilight breeze, filled the purple air with music and
with odour.
A solitary being stood upon the towering crag of the Acropolis, amid
the ruins of the Temple of Minerva, and gazed upon the inspiring scene.
Around him rose the matchless memorials of antique art; immortal columns
whose symmetry baffles modern proportion, serene Caryatides, bearing
with greater grace a graceful burthen, carvings of delicate precision,
and friezes breathing with heroic life. Apparently the stranger, though
habited as a Moslemin, was not insensible to the genius of the locality,
nor indeed would his form and countenance have misbecome a contemporary
of Pericles and Phidias. In the prime of life and far above the common
stature, but with a frame the muscular power of which was even exceeded
by its almost ideal symmetry, white forehead, his straight profile, his
oval countenance, and his curling lip, exhibited the same visage that
had inspired the sculptor of the surrounding demigods.
The dress of the stranger, although gorgeous, was, however, certainly
not classic. A crimson shawl was wound round his head and glittered with
a trembling aigrette of diamonds. His vest which set tight to his form,
was of green velvet, richly embroidered with gold and pearls. Over this
he wore a very light jacket of crimson velvet, equally embroidered, and
lined with sable. He wore also the full white camese common among the
Albanians; and while his feet were protected by sandals, the lower part
of his legs was guarded by greaves of embroidered green velvet. From
a broad belt of scarlet leather peeped forth the jewelled hilts of
a variety of daggers, and by his side was an enormous scimitar, in a
scabbard of chased silver.
Public-domain text, read in full here on John Shaqi.
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