Had Iskander been influenced by vulgar ambition, his loftiest desires might have been fully gratified by the career which Amurath projected for him. The Turkish Sultan destined for the Grecian Prince the hand of one of his daughters, and the principal command of his armies. He lavished upon him the highest dignities and boundless wealth; and, whether it arose from a feeling of remorse, or of affection for a warrior whose unexampled valour and unrivalled skill had already added some of the finest provinces of Asia to his rule, it is certain that Iskander might have exercised over Amurath a far greater degree of influence than was enjoyed by any other of his courtiers. But the heart of Iskander responded with no sympathy to these flattering favours. His Turkish education could never eradicate from his memory the consciousness that he was a Greek; and although he was brought up in the Moslemin faith, he had at an early period of his career, secretly recurred to the creed of his Christian fathers. He beheld in Amurath the murderer of his dearest kinsmen, and the oppressor of his country; and although a certain calmness of temper, and coolness of judgment, which very early developed themselves in his character, prevented him from ever giving any indication of his secret feelings, Iskander had long meditated on the exalted duty of freeing his country. Dispatched to Greece, to arrange the tributes and the treaties of the Grecian princes, Iskander became acquainted with the young Nicæus; and their acquaintance soon matured into friendship. Nicæus was inexperienced; but nature had not intended him for action. The young Prince of Athens would loll by the side of a fountain, and dream of the wonders of old days. Surrounded by his eunuchs, his priests, and his courtiers, he envied Leonidas, and would have emulated Themistocles. He was passionately devoted to the ancient literature of his country, and had the good taste, rare at that time, to prefer Demosthenes and Lysias to Chrysostom and Gregory, and the choruses of the Grecian theatre to the hymns of the Greek church. The sustained energy and noble simplicity of the character of Iskander, seemed to recall to the young prince the classic heroes over whom he was so often musing, while the enthusiasm and fancy of Nicæus, and all that apparent weakness of will, and those quick vicissitudes of emotion, to which men of a fine susceptibility are subject, equally engaged the sympathy of the more vigorous and constant and experienced mind of his companion.