The Rise of the Dutch Kingdom, 1795-1813: A Short Account of the Early Development of the Modern Kingdom of the NetherlandsVan Loon, Hendrik Willem
History
The Rise of the Dutch Kingdom, 1795-1813: A Short Account of the Early Development of the Modern Kingdom of the Netherlands
Van Loon, Hendrik Willem
Netherlands -- History -- 1795-1815
_England_: Chief enemy of above. In self-defence against the
Franco-Dutch combination, it takes all of the Republic's outlying
territories.
_Louis Napoleon_: Second brother of Napoleon Bonaparte. Only gentleman
of the family. Made King of Holland in anticipation of a complete French
annexation. Makes an honest but useless attempt to prevent this
annexation. Wife (Napoleon's stepdaughter) no good. Son, Napoleon III,
Emperor of the French.
_Le Brun, Duke of Plaisance_: Governor of the annexed Republic. Makes
the very best of a rather odious job. Far superior to the corps of
brigands who were his subordinates.
_Van Hogendorp_: Incarnation of the better elements of the old order;
supporter of William V, although very much aware of the uselessness of
that prince. Has seen a little more of the world than most of his
contemporaries. During the Batavian Republic and annexation refuses to
have anything to do with what he considers an illegitimate form of
government. Man of great strength who, practically alone, arranges the
Revolution of 1813, which drives out the French before the European
allies can conquer the Republic.
_William I_: First constitutional King of Holland, oldest son of William
V, has learned a good deal abroad, but only during the last ten years of
his exile. Personally a man of the Old Régime, but with too excellent a
business sense not to see that the times have changed. Rather too much a
business man and too little a statesman. Excellent organizer. In many
ways too energetic. Pity he did not live a hundred years later.
Of the real people we shall see very little. A small minority, very
small indeed, will try to make a noise like Jacobins. But their little
comedy is abruptly ended by the great French stage manager every time he
thinks that such rowdy acting is no longer suitable. Unfortunately for
themselves, they began their particular acting three years later than
Paris, and, fortunately for the rest of us, the sort of plays written
around the guillotine were no longer popular in France when the managers
in Holland wished to introduce them. The majority of the people,
however, gradually impoverished by eternal taxation, without the old
revenues from the colonies, with their sons enlisted and serving a bad
cause in foreign armies--the majority takes to a disastrous way of
vegetating at home, takes to leading an introspective and
non-constructive religious life, finally despairing of everything save
paternal despotism.
In the country everything becomes Frenchified. The fashions are the
fashions of Paris (two years late). Furniture, books, literature,
everything except an old-fashioned and narrow orthodoxy becomes a true
but clumsy copy of the French.
Public-domain text, read in full here on John Shaqi.
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