The contradictions, however sincere, were not believed by the persons most interested. Nearly all the nobles continued to regard the Cardinal with suspicion and aversion. Many of the ruder and more reckless class vied with the rhetoricians and popular caricaturists in the practical jests which they played off almost daily against the common foe. Especially Count Brederode, "a madman, if there ever were one," as a contemporary expressed himself, was most untiring in his efforts to make Granvelle ridiculous. He went almost nightly to masquerades, dressed as a cardinal or a monk; and as he was rarely known to be sober on these or any other occasions, the wildness of his demonstrations may easily be imagined. He was seconded on all these occasions by his cousin Robert de la Marck, Seigneur de Lumey, a worthy descendant of the famous "Wild Boar of Ardennes;" a man brave to temerity, but utterly depraved, licentious, and sanguinary. These two men, both to be widely notorious, from their prominence in many of the most striking scenes by which the great revolt was ushered in, had vowed the most determined animosity to the Cardinal, which was manifested in the reckless, buffooning way which belonged to their characters. Besides the ecclesiastical costumes in which they always attired themselves at their frequent festivities, they also wore fog-tails in their hats instead of plumes. They decked their servants also with the same ornaments; openly stating, that by these symbols they meant to signify that the old fox Granvelle, and his cubs, Viglius, Berlaymont, and the rest, should soon be hunted down by them, and the brush placed in their hats as a trophy.