The rise, progress, and phases of human slavery: How it came into the world and how it shall be made to go out — John Shaqi
The rise, progress, and phases of human slavery: How it came into the world and how it shall be made to go outO'Brien, James Bronterre
History
The rise, progress, and phases of human slavery: How it came into the world and how it shall be made to go out
O'Brien, James Bronterre
Labor; Labor movement; Slavery; Social problems; Working class
amount it would cost to bury them in case they died under a bush or
ditch after the dilapidation of their homes). Once removed to Quebec
or to the bottom of the Atlantic (it matters not which), there is an
end of trouble to both landlord and tenant. In Canada the tenant cannot
fare worse than in Ireland (for worse he could not), and he may fare
better. At the bottom of the sea he is safe, and provided for, for all
time to come. In either case he is out of the landlord’s sight, and out
of the sight of all to whom a knowledge of his treatment might suggest
misgivings as to their own future. To the landlord who ousted him,
his personal service as an actual slave would be as useless as that
of Tacitus’s ruined gamester would be to the successful one who had
won him and sold him. He would be but an incumbrance--a lump of dead
stock--an incubus upon the soil! His presence would be but a reproach
to his landlord, and curse to himself! To get rid of him, then,--to
dispose of him anyhow, or by any means, that will only get him out of
the way,--is the one thing needful. Well, Tacitus has shown us how the
lucky gamesters of his day got rid of their fleeced victims in Germany.
Against his case we fear not to put the Irish “clearers” and the
British farm-“consolidators” of our day, being perfectly assured that
the Saxons of the present day will be found to excel those of Tacitus’s
day, or any other of the old German tribes, in the art of slave-making,
as much as we excel the old Romans themselves in road-making,
shipbuilding, money-grubbing, military manslaughtering, or any other
art or science.
Public-domain text, read in full here on John Shaqi.
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