The ritual and significance of the Winnebago medicine danceRadin, Paul
Religion
The ritual and significance of the Winnebago medicine dance
Radin, Paul
Thesis (Ph. D.); Winnebago Indians -- Rites and ceremonies
The East leader rises and speaks, then sits down, and together with
the other members of his band, sings a song (initial song). When this
song is finished, he rises and speaks again, and then sits down and
commences a song known as the “minor dancing-song.” While he and a
few others are singing, drumming, and using the gourd rattles, other
members of his band, as well as members of the other bands, who care
to, and who have bought the privilege, come to his seat and join in
the dancing. When this is over, he and a few others either from his
own or from some other band, who have bought the privilege, go to the
fireplace, where the leader delivers a speech and begins the major
dancing-songs, in which the privileged members participate. When this
is over, the drum is tied to one of the members thus privileged,
generally the one who has been drumming, and the circuit of the lodge
is twice made, the leader and his two assistants at the head, followed
by the other members of his band. Two stops are made at the west, and
two at the east, end of the lodge, where songs known as “completion
songs” are sung. Then the lodge circuit is made four times, all
chanting “wahi-hi-hi,” slowly at first, but then faster, the speed of
the walking corresponding to that of the chanting. Then, with a final
strong “e-ho-ho,” drum and gourds are deposited in front of the next
band. All now return to their seats, where, before sitting down, the
leader delivers a short speech.
This basic ritual is repeated by each band in the manner described. As
it is so often broken up by the intrusion of other rituals, it will be
best to divide it into four parts. These parts are never broken up.
Whenever intrusive elements occur, they either precede or follow.
The first part consists of all that takes place between the first
speech of the leader and the completion of the initial song. The speech
referred to is the one that follows the smoking ritual, which may, on
the whole, be reckoned as belonging to the introductory ritual, such as
the entrance ritual. The second part consists of all that transpires
between the second speech and the completion of the minor dancing-song.
The third part consists of all that transpires between the speech at
the fireplace and the completion of the major dancing-songs. The fourth
part consists of all that transpires between the completion of the
major dancing-songs, and the last speech the leader makes after he has
passed the drum and gourds to the next band.
Public-domain text, read in full here on John Shaqi.
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