The ritual and significance of the Winnebago medicine dance — John Shaqi
The ritual and significance of the Winnebago medicine danceRadin, Paul
Religion
The ritual and significance of the Winnebago medicine dance
Radin, Paul
Thesis (Ph. D.); Winnebago Indians -- Rites and ceremonies
It therefore seems quite probable, taking into account the fact that
three Siouan (one Winnebago and two Omaha) societies present a shooting
feature in their basic rituals, that this ritualistic complex is a
general characteristic of this area. To sum up, a shooting ritual
has entered into a complex quite different from that existing among
the Kwakiutl, Central Algonkin Midewiwin, and in one part of the day
ceremony of the Winnebago Medicine Dance. We must therefore conclude
that the association of shooting with initiation is merely one of many
possible associations, and that the shooting found in the basic complex
must be regarded as historically different from the shooting found in
the initiation complex.
Returning to the question of shooting as associated with an initiation
ritual, it must be granted that it is somewhat improbable that
this particular association should have arisen independently among
two tribes living in closely contiguous geographical areas. We may
therefore assume that the Winnebago either borrowed from the Central
Algonkin, or _vice versa_. All indications point to the former as
having been the case.
The shooting, then, as found in the societies discussed, is merely one
phase of sympathetic magic. A cultural element common to a very large
area has become associated with a special significance and with special
ceremonies. For the cultural areas discussed, this association seems
to have developed into two types of complexes,—the shooting-initiation
complex of the Central Algonkin, and the basic complex of the Omaha and
Winnebago.
IV. THE INITIATION RITUAL.—The elements common to the Central Algonkin
Midewiwin and to the Winnebago Medicine Dance consist of two parts,—an
initiation and a shooting. Of these, the shooting was shown to have
been a more or less free element, capable among other tribes of
entering into an indefinite number of associations; that, indeed, in
the Medicine Dance itself, it had become associated with two different
ritualistic complexes. We have already examined the shooting ritual;
and we will therefore proceed to examine the initiation ritual, in
order to understand its precise significance and its position in the
general ceremony and in the complete ceremonial complex of the Medicine
Dance.
1. _Ojibwa-Menominee._—The simplicity of the organization of the
Ojibwa-Menominee Midewiwin impresses one at a glance. Only a small
number of individuals take active part. It is similarly impossible
to discern any elaborate ritual. A few ritualistic myths are told,
some songs sung, speeches delivered, and then preparations are made
for the shooting of the novice. The ceremony practically ends as
soon as the shooting terminates. In this semi-public performance
there is practically only one ritualistic complex, that of the
shooting-initiation. The only purpose of this complex seems likewise to
be the initiation of an individual into the Midewiwin.
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