Still more does the sailor making for Rouen have the Middle Ages before him as he rounds the Ferry Reach and comes up northward into the sweep of the river before the town. In spite of the extraordinary and meaningless gate which the new travelling bridge makes for the city, its cathedral still dominates the whole view; surrounding it, the high pitch of St. Vincent, the belfry of St. Maclou, the rebuilt towers of St. Ouen, give their character to all the smoky basin of houses between the Seine and the hills. A far more splendid sight was the Gothic group of London as one came upon it up river before the Great Fire. A score of spires stood in varying height and perspective before the master spire of the cathedral. Old St. Paul’s upon its hill carried the loftiest cross in Christendom--far higher in the air than Strasburg; and old St. Paul’s had been built, as had nearly every great monument of the Middle Ages, with a special eye to the landscape whence it should be seen and which, in a sense, it should control. The huge and somewhat ill-proportioned pyramid of St. Dunstan’s by the very excess of its bulk made a landmark which is the first thing to strike us when we look at a sketch of the river made at any time before 1665. We are fortunate, moreover, in our retention of such memorials. No other northern town, I think, possesses a complete panorama of its appearance in the first half of the sixteenth century such as London possesses in the great work of Wyngaerde in the Bodleian. And though the seventeenth century, with its triumph of engraving, produced a great number of such documents throughout Europe, Visscher’s drawing is unique in its importance, while we have at the end of the series Hollar’s careful delineation of the square mile of ruins after the Great Fire. This is perhaps the most remarkable piece of pictorial evidence open to English history, and any one who will look at that long string of churches burnt out to shells, and of private houses reduced to a few feet of black and crumbling wall, will see what a revolution in the outward aspect of the river and of its port, and what a breach in the outward continuity of London the Great Fire means. The Conservative temper into which the English fell (with regard to their externals, at least), after the sixteenth century, would have preserved the architectural past of London (and that to our own day) much more perfectly than the past of any great city of the Continent has been preserved. It seems due to the national spirit that a view more ancient even than that of Rouen should greet the traveller coming in by Thames; but the accident of the Great Fire has forbidden it.