The River's Children: An Idyl of the MississippiStuart, Ruth McEnery
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The River's Children: An Idyl of the Mississippi
Stuart, Ruth McEnery
African Americans -- Fiction; Conduct of life -- Fiction; Mississippi River -- Fiction; Poverty -- Fiction
The old man began stirring the bowl of his pipe absently.
"'Bout we gittin' ol', Hannah, an' maybe some day we'll drap off an'
leave Marse Harol's chile all by she se'f, like de chillen in de
wilderness.
"What mek you mek me say it, Hannah? _You_ knows what 'sponsibility
Gord done laid on we two. Ain't we done talked it over a hond'ed times
'fo' now?"
"Dat ain't _all_ what 's on my mind, Isrul."
"What else is you got to fret yo'se'f about, Hannah? Ain't I mekin' you
a good livin'? Ain't you had de money to put a new little silk frock
away every yeah for de Blossom, and ain't dey all folded away, one a-top
de yether, 'g'inst de answer to our prayers, so her daddy'll see her
dressed to her station when he comes sudden? Ain't you got a
one-way-silk alapaca frock an' a good bonnet for yo'se'f to tek de chile
by de han' wid--when Gord see fitten to answer us? You ain't
_hongry_--or _col'_, is yer?"
"G' way, Isrul! Who's studyin' about victuals or clo'es! I 's ponderin'
about de chile, dat 's all. 'T ain't on'y 'bout we gittin' ol'. _She_ 's
gittin' _tall_. An' you know, Isrul, you an' me we ain't fitten to raise
Marse Harol's chile. She's big enough to study quality manners an' white
behavior. All Marse Harol's fam'ly's chillen knowed all de fancy high
steps an' played scales on de pianner wid bofe hands at once-t, time dey
was tall as Blossom is--an' dey made dancin'-school curtsies, too. I
taken notice, Blossom is sort o' shy, an' she gittin' so she'll stand
off when anybody speaks to her. Dis heah cabin on de river-bank ain't no
place for my white folks. I sho' is pestered to see her gittin' shy an'
shamefaced--like po' folks. Modest manners and upright behavior is her
portion. I _know_ it by heart, but I can't _show_ it to her--I know it
by knowledge, but of co'se I can't perform it; an' it frets me."
"Hannah!"
"What is it, Isrul?"
"Who gi'n us dis 'sponsibility? Is we axed for it?"
"No, Isrul, we ain't axed for it."
"Ain't you an' me promised Mis' Agnes, de day she died, to keep his
chile, safe-t an' sound, tell Marse Harol' come?"
"Dat 's six yeahs past, dis comin' Christmus, Isrul. I b'lieve Marse
Harol' done dead an' gone."
"Huccome you believe he dead? Is he come to you in de sperit?"
"No, he ain't come, an' dat 's huccome hope stays wid me. If he was free
in de sperit lan' he sho' would come an' gimme a sign. But reason is
reason, an' ef he _ain't_ dead, huccome he don't come an' look arter his
chile? My white folks warn't nuver shirkers--nor deserters. So, when I
stays off my knees awhile an' casts away faith in de unseen, seem dat my
horse-sense hit gives me trouble. An' den, like to-night, somehow my
courage sinks, an' look like I kin see him dead an' forgot in some ol'
ditch on de battle-field.
"Jes _s'posin'_ dat 's de trufe, Isrul, what we boun' to do wid
Blossom?"
"Hannah!"
"Yas, Isrul."
"You done heared a plenty o' preachin', ain't yer?"
"Yas, Isrul."
"Is you ever heared a preacher preach 'bout _s'posin'_?"
Public-domain text, read in full here on John Shaqi.
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