The Rivet in Grandfather's Neck: A Comedy of LimitationsCabell, James Branch
General
The Rivet in Grandfather's Neck: A Comedy of Limitations
Cabell, James Branch
Southern States -- Social life and customs -- Fiction
And it seemed to Rudolph Musgrave, drowsily pleased by his own
inventiveness, that Patricia was glad this afternoon was so hot that no
one was abroad except the small boy at the corner house, who sat upon
the bottom porch-step, and, as children so often do, appeared intently
to appraise the world at large with an inexplicable air of
disappointment.
"Now think how Rudolph would feel,"--the colonel whimsically played at
reading Patricia's reflection--"if I were to be arrested as a suspicious
character--that's what the newspapers always call them, I think--on his
very doorstep! And he must have been home a half-hour ago at least,
because I know it's after five. But the side-gate's latched, and I can't
ring the door-bell--if only because it would be too ridiculous to have
to ask the maid to tell Colonel Musgrave his wife wanted to see him.
Besides, I don't know the new house-girl. I wish now we hadn't let old
Mary go, even though she was so undependable about thorough-cleaning."
And it seemed to Rudolph Musgrave that Patricia was tired of pacing
before the row of houses, each so like the other, and compared herself
to Gulliver astray upon a Brobdingnagian bookshelf which held a "library
set" of some huge author. She had lost interest, too, in the new house
upon the other side.
"If things were different I would have to call on them. But as it is, I
am spared that bother at least," said Patricia, just as if being dead
did not change people at all.
Then a colored woman, trim and frillily-capped, came out of the watched
house. She bore some eight or nine letters in one hand, and fanned
herself with them in a leisurely flat-footed progress to the mailbox at
the lower corner.
"She looks capable," was Patricia's grudging commentary, in slipping
through the doorway into the twilight of the hall. "But it isn't safe to
leave the front-door open like this. One never knows--No, I can tell by
the look of her she's the sort that can't be induced to sleep on the
lot, and takes mysterious bundles home at night."
II
And it seemed to Rudolph Musgrave, now in the full flow of this droll
dream, that Patricia resentfully noted her front-hall had been "meddled
with." This much alone might Patricia observe in a swift transit to the
parlor.
She waited there until the maid returned; and registered to the woman's
credit the discreet soft closing of the front-door and afterward the
well-nigh inaudible swish of the rear door of the dining-room as the
maid went back into the kitchen.
"In any event," Patricia largely conceded, "she probably doesn't clash
the knives and forks in the pantry after supper, like she was hostile
armaments with any number of cutlasses apiece. I remember Rudolph simply
couldn't stand it when we had Ethel."
So much was satisfactory. Only--her parlor was so altered!
Public-domain text, read in full here on John Shaqi.
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