The Rivet in Grandfather's Neck: A Comedy of LimitationsCabell, James Branch
General
The Rivet in Grandfather's Neck: A Comedy of Limitations
Cabell, James Branch
Southern States -- Social life and customs -- Fiction
There was--to give you just her instantaneous first impression--so
little in it. Broad spaces of plain color showed everywhere; and
Patricia's ideal of what a parlor should be, as befitted the châtelaine
of a fine home in Lichfield, had always been the tangled elegancies of
the front show-window of a Woman's Exchange for Fancy Work. The room had
even been repapered--odiously, as she considered; and the shiny floor of
it boasted just three inefficient rugs, like dingy rafts upon a sea of
very strong coffee.
Patricia looked in vain for her grandiose plush-covered chairs, her
immaculate "tidies," and the proud yellow lambrequin, embroidered in
high relief with white gardenias, which had formerly adorned the
mantelpiece. The heart of her hungered for her unforgotten and
unforgettable "watered-silk" papering wherein white roses bloomed
exuberantly against a yellow background--which deplorably faded if you
did not keep the window-shades down, she remembered--and she wanted back
her white thick comfortable carpet which hid the floor completely, so
that everywhere you trod upon the buxomest of stalwart yellow roses,
each bunch of which was lavishly tied with wind-blown ribbons.
Then, too, her cherished spinning-wheel, at least two hundred and fifty
years old, which had looked so pretty after she had gilded it and added
a knot of pink sarsenet, was departed; and gone as well was the
mirror-topped table, with its array of china swan and frogs and
water-lilies artistically grouped about its speckless surface. Even her
prized engraving of "Michael Angelo Buonarotti"--contentedly regarding
his just finished Moses, while a pope tiptoed into the room through a
side-door--had been removed, with all its splendors of red-plush and
intricate gilt-framing.
Just here and there, in fine, like a familiar face in a crowd, she could
discover some one of her more sedately-colored "parlor ornaments"; and
the whole history of it--its donor or else its price, the gestures of
the shopman, even what sort of weather it was when she and Rudolph found
"exactly what I've been looking for" in the shop-window, and the
Stapyltonian, haggling over the price with which Patricia had
bargained--such unimportant details as these now vividly awakened in
recollection.... In fine, this room was not her parlor at all, and in it
Patricia was lonely.... Yes, yes, she would be nowadays, the colonel
reflected, for he himself had never been in thorough sympathy with all
the changes made by Roger's self-assured young wife.
Thus it was with the first floor of the house, through which Patricia
strayed with uniform discomfort. This place was home no longer.
Thus it was with the first floor of the house. Everywhere the equipments
were strange, or at best arranged not quite as Patricia would have
placed them. Yet they had not any look of being recently purchased. Even
that hideous stair-carpet was a little worn, she noted, as noiselessly
she mounted to the second story.
Public-domain text, read in full here on John Shaqi.
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