It is pitiable that the Carnival has to do with flowers and that it is
through them that it seeks to give expression to its loud and flamboyant
taste. It is sad to see flowers put to base and meretricious uses,
treated as mere dabs of paint, forced into unwonted forms, made up as
anchors or crowns and mangled in millions. The festival is not so much a
battle of flowers as a Massacre of Flowers, a veritable St.
Bartholomew’s Day for buds and blossoms.
[Illustration: NICE: THE OLD TERRACES.]
The author of a French guide book suggests that the visitor should
attend the Carnival “at least once.” He makes this proposal with evident
diffidence. He owns that the affair is one of _animation incroyable_,
that the streets are occupied by _une cohue de gens en délire_ and
recommends the pleasure seeker to carry no valuables, to wear no clothes
that are capable of being spoiled, no hat that would suffer from being
bashed in, and to remember always that the dust is _énorme_.
Those who like a rollicking crowd, hustling through streets a-flutter
with a thousand flags and hung with festoons by the kilometre, and those
who have a passion for throwing things at other people might go even
more than once. They will see in the procession much that is ludicrous,
grotesque and puerile, an exaggerated combination of a circus car parade
and a native war dance, as well as a display of misapplied decoration of
extreme ingenuity.
On the other hand, the flower lover should escape to the mountains and
hide until the days of the Carnival are over, and with him might go any
who would prefer a chaplet of violets on the head of a girl to a laundry
basket full of peonies on the bonnet of a motor.
On that side of the old town which borders upon the sea are relics which
illustrate the more frivolous mood of Nice as it was expressed before
the building of the Promenade des Anglais. These relics show in what
manner the visitor to Nice in those far days sought joy in life.
Parallel to the beach is the Cours Saleya, a long, narrow, open space
shaded by trees. It was at one time a fashionable promenade, comparable
to the Pantiles at Tunbridge Wells. It is now a flower and vegetable
market. On the ocean side of this Cours are two lines of shops, very
humble and very low. The roofs of these squat houses are level and
continuous and so form two terraces running side by side and extending
for a distance of 800 feet.
Public-domain text, read in full here on John Shaqi.
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