As the rain was still beating on the convent roofs and as the young men
had travelled far the abbess invited them into the refectory, a white,
hollow room with bare table and stiff chairs. Here wine was placed
before them, of rare quality and in copious amount; while—sad as it may
be to tell the truth—nuns began to sidle timidly into the room, one by
one. Whatever might be the comment the fact cannot be concealed that the
grim refectory was soon buzzing with as merry a company as ever came
together and one very unusual within the walls of a convent.
The time was drawing near for the evening service. Whether the abbess
invited the young men to join in the devotions proper to the house, or
whether the young men, out of politeness, suggested that they should
attend I am unable to state, for the historian is silent upon this
point.
The service proceeded. The male members of the congregation were, I am
afraid, inattentive. They were tired; they had passed through an
emotional adventure and wine is soporific. They lolled in their seats;
some rested their heads on the bench before them; some dozed; some even
may have slept.
In a while the nuns began the singing of the “De Profundis” (Out of the
Depths). As they sang one voice could be heard soaring above the rest, a
voice clear and beautiful, vibrating with tenderness, with longing and
with infinite pathos. The young men remained unmoved save one. This one,
who had been lounging in a corner, suddenly awoke and was at once alert,
startled and alarmed. He clutched the seat in front of him as if he
would spring towards the spot whence the music came. His eyes, fixed on
the choir, glared as the eyes of one who sees a ghost. His countenance
bore the pallor of death. He trembled in every fibre of his body.
He knew the voice. It was to him the dearest in the world. It was a
voice from “out of the depths,” for it belonged to one whom he believed
to be dead. He could not see the singer; but he could see, as in a
dream, the vision of a piteous face, a face with eyes as blue as a
summer lake, with lips whimsical, tantalising and ineffable; could see
the tender cheek, the chin, the white forehead, the waving hair. He knew
that she who sang was no other than Blanche d’Entrevannes, whom he had
loved and to whom he was still devoted.
But a few years past he had held her in his arms, had kissed those lips,
and had thrilled to the magic of that voice. Her father had frowned upon
their hopes and had forbidden their union. The lad had been called away
to the wars. When he returned he had sought her out and was told that
“she is dead.” He haunted every spot where they had wandered together,
only to learn the truth that “no place is so forlorn as that where _she_
has been,” and only to hear again that she was dead.
Blanche was not dead, but, believing their case to be hopeless, she had
entered the convent of St. Pons and, in a few days’ time, would take the
veil.
Public-domain text, read in full here on John Shaqi.
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