As early as about 800 the Saracens had made themselves masters of Eze, La Turbie and Sant’ Agnese; while by 846 they seem to have terrorised the whole coast from the Rhone to the Genoese Gulf, and in the first half of the tenth century to have occupied nearly every sea-town from Arles to Mentone. Finally, in 980, a great united effort was made to drive the marauders out of France. It was successful. The leader of the Ligurian forces was William of Marseilles, first Count of Provence, and one of the most distinguished of his lieutenants was a noble Genoese soldier by name Gibellino Grimaldi. It is in the person of this knight that the Grimaldi name first figures in the history of the Ligurian coast. As soon as the Saracens had departed the powers that had combined to drive them from the country began to fight among themselves. They fought in a vague, confused, spasmodic way, with infinite vicissitudes and in every available place, for over five hundred years. The siege of Nice by the French in 1543 may be conveniently taken as the end of this particular series of conflicts. It was a period of petty fights in which the Counts of Provence were in conflict with the rulers of Northern Italy, with the Duke of Milan, it may be, or the Duke of Savoy or the Doge of Genoa. It was a time when town fought with town, when Pisa was at war with Genoa and Genoa with Nice, when the Count of Ventimiglia would make an onslaught on the Lord of Eze and the ruffian who held Gorbio would plan a descent upon little Roquebrune. This delectable part of the continent, moreover, came within the sphere of that almost interminable war which was waged between the Guelphs and the Ghibellines. In the present area the Grimaldi were for the Guelphs and the Pope, and the Spinola for the Ghibellines and the Emperor. The feud began in the twelfth century and lasted until the French invasion in 1494. This period of five hundred years was a time of interest that was dramatic rather than momentous. So far as the South of France was concerned one of the most beautiful tracts of country in Europe was the battle-ground for bands of mediæval soldiers, burly, dare-devil men carrying fantastic arms and dressed in the most picturesque costumes the world has seen. It was a period of romance, and, indeed—from a scenic point of view—of romance in its most alluring aspect. Here were all the folk and the incidents made famous by the writers of a hundred tales—the longbowman in his leather jerkin, the man in the slashed doublet sloping a halberd, the gay musketeer, the knight in armour and plumes, as well as the little walled town, the parley before the gate, the fight for the drawbridge and the dash up the narrow street.