The Road to Mandalay: A Tale of BurmaCroker, B. M. (Bithia Mary)
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The Road to Mandalay: A Tale of Burma
Croker, B. M. (Bithia Mary)
British -- Burma -- Fiction; Drug abuse -- Fiction; Drug traffic -- Fiction
“Monte Carlo” (sixpence return, third class, from town, and eight
minutes’ walk from the station) was a grotesque, little red-faced
abode, situated among a tangle of villas and roads. It stood detached
in a garden, with—O! theme of pride—a full-sized tennis court. There
were also several flower beds, and six unhappy gooseberry bushes, but
_the_ feature was the lawn; here also were seats and a small striped
awning. The grounds of “Monte Carlo” were only divided from its
immediate neighbours by a thin wooden partition—there was no such thing
as privacy or seclusion. Conversation was audible, and the boisterous
jokes of “Chatsworth” and “Travancore” were thoroughly enjoyed at
“Monte Carlo.” In the same way “Monte Carlo” overheard various
interesting items of news, some sharp quarrels and, once or twice,
unpleasant personal truths! On the last occasion, the remark was so
unfriendly (it dealt with Cossie’s methods) that when “Chatsworth,”
ignorant of offence, sent the same evening an emissary to borrow three
pints of stout, the reply was a harsh refusal!
Within doors space was naturally more contracted, but the click of the
opposite gate, the sound of the next door dinner-bell and gramophone
remained, as it were, common property! The tiny hall was choked with
umbrellas, wraps, tennis shoes, and tattered sixpenny books; the
drawing-room, with its pink casement curtains, gaudy cretonne covers,
huge signed photographs, jars of dusty artificial flowers, packs of
dingy cards, and scraps of millinery, looked “lived in”—but tawdry and
untidy. The big Chesterfield sofa—a wonderful bargain—had broken
springs (perhaps it was not such a wonderful bargain?) and many hills
and hollows. In the roomiest of these last the mistress of the house
was more or less a fixture, and the whole apartment, like a _passée_
beauty, was to be seen at its best by candle-light.
The dining-room was chiefly notable for the heavy atmosphere of
tobacco, and multitudes of empty black bottles under the sideboard. The
kitchen, both in sound and smell, absolutely refused to be ignored.
Such was “Monte Carlo!”
Public-domain text, read in full here on John Shaqi.
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