The Road to Mandalay: A Tale of BurmaCroker, B. M. (Bithia Mary)
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The Road to Mandalay: A Tale of Burma
Croker, B. M. (Bithia Mary)
British -- Burma -- Fiction; Drug abuse -- Fiction; Drug traffic -- Fiction
Shafto and his companion having toiled up the steps, worn hollow by
millions of feet, halted on the plateau, which was half-covered with
little stalls, whose keepers were selling flowers, candles, flags,
dolls, and images of Buddha—made in Birmingham. Here were hundreds, nay
thousands of joyous gaily-clad worshippers moving to and fro, a truly
brilliant pageant of passing life. It was difficult to say which were
the more strikingly dressed: the men in brilliant turbans and silk
waist cloths, or the women in satin skirts of endless pattern, their
chignons wreathed with flowers, wearing a profusion of gold ornaments,
and attended by many children.
“Ah, I see you are struck with the spectacle!” said Salter. “Isn’t it
an orgy of colour—rose, orange, purple, scarlet? There is nothing more
picturesque than a Burmese crowd.”
“Yes, a great show!” rejoined Shafto; “in gala costume. I can now
understand why the national emblem is a peacock.”
As they made their way through the throng there was a clanging of
melodious gongs and sounds of loud continuous chanting, whilst overhead
the far-away sea breeze stirred the bells on the Ti to a silvery
tinkle, tinkle.
To Shafto this scene was amazing and impressive; the wonderful golden
Pagoda with its crown of jewels, the vast multitudes in many-hued
garments, the flowers, fluttering flags, coloured lights, all as it
were attuned to the accompaniment of merry voices, sonorous Gregorian
chanting, and deep-toned gongs.
And what a labyrinth of shrines! Hours might be spent examining their
rich carvings. At one of the principal of these shrines a service was
proceeding; to Shafto, it recalled the celebration of mass in a Roman
Catholic chapel, for here were shaven priests intoning prayers on the
steps of a decorated altar; here also were incense, lights, and a
multitude of devout people, kneeling, rosary in hand, chanting the
responses.
Among the worshippers Shafto recognised Mee Lay and her cousin Ma Chit,
attired in what, no doubt, were their festival toilets. Mee Lay’s white
jacket was fastened by diamond buttons, and large diamonds sparkled in
her little brown ears; as for Ma Chit, she was adorned with the
national gold necklace, or _dalizan_. In her sleek, black hair were
artfully arranged sprigs of scarlet hibiscus, and between her tiny
hands, glittering with rings, and uplifted palm to palm, she held a
beautiful flower, which, when her devotions were accomplished, she laid
upon the shrine with an undulating movement of adoration and grace.
Public-domain text, read in full here on John Shaqi.
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