The Road to Mandalay: A Tale of BurmaCroker, B. M. (Bithia Mary)
General
The Road to Mandalay: A Tale of Burma
Croker, B. M. (Bithia Mary)
British -- Burma -- Fiction; Drug abuse -- Fiction; Drug traffic -- Fiction
“Yes. At one time it was quite a common thing. Mrs. Salter—her real
name is Mee Lay—is sitting over there in about the fifth row back,
behind the fellow with the scarlet handkerchief twisted round his head.
Presently you must turn and look at her. She is a nice, cheery woman,
and Salter is an interesting, original sort of man. I dine with them
now and then. Mee Lay is uncommonly businesslike—has a good deal of
land and a flourishing rice concern.”
“She has? How amazing!”
“I see you don’t know much of Burma yet.”
“No; so far I am only acquainted with the bazaar prices, the gorgeous
flowers, delicious fruit and futurist insects!”
“Well, women do most of the business and do it well; the men are a
lazy, loafing lot; very genial and sporting, fond of cock-fighting and
gambling—absolutely regardless of expense or debt. Mrs. Salter is rich;
if you will look round now you will see her—the little woman with the
yellow fan and diamond comb; notice her blazing ear-rings; and yet I
have seen the same lady with her petticoats kilted high, standing
knee-deep in a rice cart and diving with both hands into the grain to
test its quality!”
“That is a very pretty girl with flowers in her hair, beside her,”
remarked Sophy; “look, she is nodding to you. Who is she?”
“Her name is Ma Chit; she is Mrs. Salter’s cousin. Sometimes she drops
in when I am there; the Salters live close to my chummery. I have a
munshi now and I am learning Burmese.”
“And—and I am learning German!”
“How do you hit it off with your uncle?”
“Please don’t call him my uncle.”
“Then I am answered.”
Sophy laughed and coloured brilliantly.
“I suppose so. We do not coalesce; our ideas, age and country are
different; he is hard as a rock, brusque and overbearing—but amazingly
clever and energetic. He seems to hold so many threads in his hands, to
deal with such numbers of people; his correspondence is enormous; his
office, when he is at home, is surrounded and stormed by all sorts of
people—Mohammedans, Chinese, Burmese, all waiting on his good pleasure
and his nod. I scarcely see anything of him except at meals, and then
he is too much taken up with eating to have time to spare for
conversation; but we meet in one spot—music-land! He plays the violin;
we do Beethoven together and are great friends; then when the piano
closes——” she paused.
“You are enemies?”
Public-domain text, read in full here on John Shaqi.
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