Antisemitism -- Fiction; Jews -- Austria -- Fiction; Middle class -- Fiction; Vienna (Austria) -- Fiction
At first Heinrich answered offhandedly, and subsequently not at all,
and finally seemed scarcely to be paying any attention. George thought
this rude. He was almost sorry that he had joined Heinrich, all the
more so as he made it an almost invariable practice not to respond
straight away to casual invitations. The excuse he gave to himself
was that it was simply out of absent-mindedness that he had done it
on this occasion. Heinrich was walking close to him or even going a
few steps in front, as if he were completely oblivious of George's
presence. He still held tightly in both hands the overcoat which was
swung round him, wore his dark grey felt hat pressed down over his
forehead and looked extremely uncouth. His appearance suddenly began
to jar keenly on George's nerves. Heinrich Bermann's previous remarks
about Felician now struck him as in bad taste, and as quite devoid
of tact, and it occurred to him at the psychological moment that
practically all he knew of Heinrich's literary productions had gone
against the grain. He had seen two pieces of his: one where the scene
was laid in the lower strata of society, among artizans or factory
workers, and which finished up with murder and fatal blows; the other a
kind of satirical society comedy whose first production had occasioned
a scandal and which had soon been taken out of the repertoire of the
theatre. Anyway George did not then know the author personally, and had
taken no further interest in the whole thing. He only remembered that
Felician had thought the piece absolutely ridiculous, and that Count
Schönstein had expressed the opinion that if he had anything to do with
it pieces written by Jews should only be allowed to be performed by the
Buda-Pesth Orpheum Company.[2] But Doctor von Breitner in particular,
a baptised Jew with a philosophical mind, had given vent to his
indignation that such an adventurer of a young man should have dared to
have put a world on to the stage that was obviously closed to him, and
which it was consequently impossible for him to know anything about.
Public-domain text, read in full here on John Shaqi.
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