When George had finished inspecting the old letters and was putting his own papers in order, he found in an old green case some musical jottings of his boyhood, whose very existence had so completely vanished from his memory, that if they had been put before him as the records of some one else he would not have known the difference. Some affected him with a kind of pleasant pain, for they seemed to him to contain promises which he was perhaps never to fulfil. And yet he had been feeling lately that something had been hatching within him. He saw his development as a mysterious but definite line which showed the way from those first promising notes in the green case to quite new ideas, and this much he knew--the two songs out of the "Westöstliche Divan" which he had set to music this summer on a sultry afternoon, while Felician lay in his hammock and his father worked in his armchair on the cool terrace, could not have been composed by your ordinary person. George moved back a step from the window as though surprised by an absolutely unexpected thought. He had never before realised with such clearness that there had been an absolute break in his life since his father's death down to to-day. During the whole time he had not given a single thought to Anna Rosner to whom he had sent the songs in manuscript. And he felt pleasurably thrilled at the thought that he could hear her melodious melancholy voice again and accompany her singing on that somewhat heavy piano, as soon as he wished. And he remembered the old house in the Paulanergasse, with its low door and badly lighted stairs which he had not been up more than three or four times, in the mood in which a man thinks of something which he has known very long and held very dear.