Monday brings the joy of work, second only to the Sabbath of rest, and I
settle to my heap by the white gate. Soon I hear the distant stamp of
horsehoofs, heralding the grind and roll of the wheels which reaches me
later—a heavy flour-waggon with a team of four great gentle horses, gay
with brass trappings and scarlet ear-caps. On the top of the craftily
piled sacks lies the white-clad waggoner, a pink in his mouth which he
mumbles meditatively, and the reins looped over the inactive whip—why
should he drive a willing team that knows the journey and responds as
strenuously to a cheery chirrup as to the well-directed lash? We greet
and pass the time of day, and as he mounts the rise he calls back a
warning of coming rain. I am already white with dust as he with flour,
sacramental dust, the outward and visible sign of the stir and beat of
the heart of labouring life.
Next to pass down the road is an anxious ruffled hen, her speckled breast
astir with maternal troubles. She walks delicately, lifting her feet
high and glancing furtively from side to side with comb low dressed. The
sight of man, the heartless egg-collector, from whose haunts she has
fled, wrings from her a startled cluck, and she makes for the white gate,
climbs through, and disappears. I know her feelings too well to intrude.
Many times already has she hidden herself, amassed four or five precious
treasures, brooding over them with anxious hope; and then, after a brief
desertion to seek the necessary food, she has returned to find her
efforts at concealment vain, her treasures gone. At last, with the
courage of despair she has resolved to brave the terrors of the unknown
and seek a haunt beyond the tyranny of man. I will watch over her from
afar, and when her mother-hope is fulfilled I will marshal her and her
brood back to the farm where she belongs; for what end I care not to
think, it is of the mystery which lies at the heart of things; and we are
all God’s beasts, says St Augustine.
Here is my stone-song, a paraphrase of the Treasure Motif.
[Picture: Music score: F# dotted crotchet, F# quaver, F# quaver, F#
dotted crotchet, D crotchet, E crotchet. This bar is then repeated once
more]
Public-domain text, read in full here on John Shaqi.
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