The Robber, A Tale.James, G. P. R. (George Payne Rainsford)
General
The Robber, A Tale.
James, G. P. R. (George Payne Rainsford)
England -- Social life and customs -- 17th century -- Fiction
Music was talked of, and painting, and sculpture; and in each,
Langford, without affecting the tone of a connoisseur, displayed that
knowledge which is gained rather by a deep feeling for all that is fine
and beautiful than from an experimental acquaintance with the arts
themselves. He had heard Lulli--had been present when some of his most
celebrated compositions had been first performed; and, though he talked
not of the scientific accuracy of this piece of music or of that, he
spoke with enthusiasm of the effect which each produced upon the mind;
of what feelings they called up; whether they soothed, or inspired, or
touched, or saddened, or elevated.
Then, again, when the conversation turned to the sculpture or the
painting of Florence or of Rome, he did not--perhaps he could not--use
the jargon of connoisseurs: he did not speak of breath, and juice, and
contour, but he told of how he had been affected by the sight, of what
were the sensations produced in his bosom, and in the bosoms of others
whom he had known, by the Venus, or the Apollo, or the Laocoon, or the
works of Raphael, or Guido, or Titian, or Michael Angelo. In short, he
dwelt upon that part of the subject which referred to the mind, the
imagination, or the heart; and in regard to which all those who heard
him could go along with him--feeling, comprehending, and enjoying all
he spoke of or described.
Alice Herbert, though she was not learned in such things, yet had a
natural taste, which was not uncultivated. In the seclusion in which
she dwelt, the ordinary household duties of a young Englishwoman of
that period had not been enough for her; and her mind had been occurred
with much and various reading, with music, as it was then known and
taught, and with drawing; though in the latter art she had received no
instruction but from her mother, who had acquired it herself while in
exile at the court of France. Her father, also, had some taste in, and
much feeling for, the arts, and she joined eagerly in the conversation
between him and Langford, often leading it, with the sportive eagerness
of a young and enthusiastic mind, to a thousand collateral subjects,
which constantly elicited from their new companion remarks full of
freshness and of genius.
She listened, well pleased--something more than well pleased, struck
and surprised: and from that night's interview she bore away matter for
deep thought and meditation--the most favourable effect that man can
produce when he wishes to make an impression on the heart of woman.
Did Langford seek to produce such an effect? Perhaps not, or most
likely, he would not have succeeded so well, but he was pleased
himself: he, too, was struck and surprised: and, carried away by his
own feelings, he took, unconsciously, the best means of interesting
hers.
Public-domain text, read in full here on John Shaqi.
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