The Robber, A Tale.James, G. P. R. (George Payne Rainsford)
General
The Robber, A Tale.
James, G. P. R. (George Payne Rainsford)
England -- Social life and customs -- 17th century -- Fiction
If not, strive that it may be so; for, rightly felt, the most ennobling
of all earthly impulses is love.
The night that we have seen commence passed over not tranquilly to any
of the party which had been assembled at the Manor House. Alice Herbert
laid her sweet limbs down on the couch which had so often brought her
calm soft slumbers, but it was long ere she closed her eyes; and before
she did so, there dropped from them some tears. Sir Walter lay upon his
bed and thought, and a single sentence will show the subject of his
meditation. "Poor boy," he said, in a low tone, after thinking long;
"he is doomed to disappointment."
Lord Harold tossed in feverish anxiety; and for many an hour Langford
cooled his burning brow by the night air on the banks of the stream.
Day was fast dawning when he prepared to return to the inn; but ere he
had crossed the bridge, a boy of ten years of age, or thereabouts, with
fair curling hair, and a sunny countenance, crossed his path, saying
quickly, "My master waits to speak with you."
"Where is he, Jocelyn?" demanded Langford.
"In the thick wood in the manor park," replied the boy, "just above the
stream: but I will show you."
"Go on!" said Langford; and they were both soon hidden by the trees.
The park of the old manor-house, in its laying out and arrangement,
resembled the period of our tale--that is to say, it lay between two
epochs. There was still, in the neighbourhood of the house, the old
trim flower garden, with its rows of sombre yew trees; there who also
that more magnificent kind of billiard table in which our robust
ancestors used to take delight, the bowling-green; there were also
several long alleys of pine and beech, carried as far as the inequality
of the ground would permit; but then, beyond that again, came the park
scenery, in which we now delight--the deep wood, the dewy lawns, the
old unpruned trees, with every here and there a winding walk, cut
neatly amongst the old roots and stems, and taking advantage of all the
most beautiful points of view. But we will dwell on such matters no
longer; it is with pictures of the human heart that we have to do.
Public-domain text, read in full here on John Shaqi.
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