And yet Lord Sandilands was by no means a representative man. For
politics he cared little or nothing. On special occasions he went down
to the House and voted with his party, but in that was comprised his
whole Parliamentary career. He never spoke and never intrigued; the
Custom-house and the Inland Revenue enrolled no members who had
obtained their appointments at his instance; his personal appearance
was unknown to the private secretary of the Postmaster-general; nor
was his handwriting to be found in the bulging pigeon-holes of the
Treasury. Many years had elapsed since he had arrayed himself in the
charming court-costume which intelligence has retained from the
customs of the dark ages, and presented himself at the levees of his
sovereign. At flower-shows and races, at afternoon Park or morning
Row, at garden-parties or _fêtes champêtres_, at none of those
gatherings where pleasant Frivolity rules, was Lord Sandilands
known--at none, rather, save one--the Opera. There he was _facile
princeps_; there he was king of the place. The check-takers and the
box-keepers knew him as well as they knew the lessee, and stood in as
much awe of him. The principal librarians, Messrs. Ivory, MacBone, and
Déloge, prostrated themselves before him, and were always most anxious
to learn his opinion of any novelty, as on that opinion they were
accustomed to base their calculation of profit or loss. With Schrink,
the critic of the _Statesman_--a cynical, humpbacked man, who had
a spite against mankind, and "took it out" in writing venomous
articles abusive of the world in general, and the musical world in
particular--Lord Sandilands was the only man who had the smallest
weight; and many a neophyte has owed the touch of oil which she
received, instead of the pickling which threatened her, to a kind word
dropped by his lordship in the seclusion of that box on the pit tier
to which he alone was admitted, where Schrink sat nursing his leg,
biting his nails, and glowering with fury alike at singers and
audience. Behind the scenes his popularity was equally great; the
sulky tenors gave up sucking their cough-lozenges and grinding their
teeth at his approach, and welcomed him with courteous salutations;
the basso roused himself from his stertorous sleep; the prima donna
gave up that shrill altercation with her snuffy old mother; the
property-men and the scene-shifters, who dashed indiscriminately
against the gilded youth who roamed vacantly about, took special care
to steer clear of Lord Sandilands, and touched their paper caps to him
as he passed by; and the little ballet-women and chorus-singers
dropped deepest curtsies to his lordship, and felt that so long as he
was satisfied with them their pound a week was safe.
Public-domain text, read in full here on John Shaqi.
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