Had he any interest in the management? That was a moot point. Ever
since the publication of the bankrupt's schedule made patent the fact
that a well-known advertising teacher of languages was identical with
an even more notorious agricultural-implement maker, one has been
afraid to give any positive opinion as to who is who in this most
extraordinary world of ours. Mr. Boulderson Munns was the responsible
lessee of the Grand Opera, and held the reins of management; but whose
was the money embarked in the speculation it was impossible to say.
Young Jeffcock, the China merchant (Jeffcock Brothers of Shanghai),
used to attend all the rehearsals, had boxes always at his command,
and was treated with great deference by Mr. Boulderson Munns; but in
all these respects he was equalled by Jack Clayton of the Coldstreams,
who was notoriously impecunious, who owed even for his button-hole
bouquets, and--who spent all his ready-money in hansom cabs and
sprat-suppers for the _corps de ballet_. Tommy Toshington, who knew
most things, declared that Lord Sandilands had no monetary interest in
the house, but that his position gave him greater influence with Mr.
Boulderson Munns than was enjoyed by any of the others. "Sandilands,
sir," Tommy would say, when he had dined well at somebody else's
expense,--"Sandilands is the man to give a stamp to a thing of that
sort! Don't know what there is in him, but there's something that when
he says a musical thing's all right, it's safe to go. Why, when that
old gray horse and green brougham of his are seen at the door of
Canzonet's shop, as they are day after day in the season, it's worth a
fortune to Sam Canzonet--he told me so himself. Money? Not a sixpence,
not a sous. When he was John Borlase he was a regular screw, and he's
not improved with age; but it is not money Munns wants out of him.
Jeffcock? nonsense! Jack Clayton? bah! The real capitalist there, sir,
is-;" and here Mr. Toshington whispered in your ear the name of a
well-known Evangelical M.P., whom you would have as soon accredited
with Mormonism as with connection with theatrical affairs; and having
made his point, hobbles off chuckling.
Public-domain text, read in full here on John Shaqi.
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