Although this feeling in regard to Miss Lambert was perhaps nowhere
expressed in language, so strongly symbolical as that used by Mr.
Munns, there is no doubt that it was generally felt. There is a
certain class of artist-patronising society which has the _mot
d'ordre_ of the _siffleur's_ box, and revels in the gossip of the
_coulisses_. These worthy persons were in the habit of talking to each
other constantly of the new _prima donna_--how she came in "a regular
fly, my dear;" how she was always dressed in black silk, "made quite
plain, and rather dowdy;" how she was always accompanied by the same
old lady, who, whether at rehearsal or in the evening, never left her
side; and how, with the exception of Lord Sandilands, with whom she
seemed to be very intimate, she entered into conversation with no one
during the performance;--in all which things Miss Grace Lambert
differed very much from Madame Miramella, who--depending on the kind
of temper in which she might happen to be--alternated between the most
gorgeous garments and the most miserable _chiffons_; between a
coroneted brougham with a five-hundred-gninea pair of horses, and a
four-wheeler cab; between the loveliest complexion, and the most
battered old parchment mask; between the most queenlike courtesy to
all around her in the theatre, and the use of French and Italian
_argot_-abuse, which fortunately was incomprehensible to those to
whom it was addressed. In this society Lord Sandilands was far too
well-known for the smallest breath of scandal ever to attach to Miss
Lambert's name by reason of his intimacy with her. People remembered
how devoted he had been to the Rossignol--who died, poor lady, in the
height of her success--who had the voice of an angel, and the face of
a little sheep; how he had fought an uphill fight for Miss Laverock
until he had seen her properly ranked in her profession; how he had
always been the kind and disinterested friend of musical talent. They
wondered that somebody else did not arrive, some English duke, some
Italian prince, some _millionnaire_, and bear her away as Madame
Sontag, Miss Chester, Miss Stephens, and Madame Duvernay had been
borne away before her. She was "thoroughly proper, my dear," they told
each other in confidence; and the obvious result of propriety being
marriage, they waited for that result with great impatience.
Public-domain text, read in full here on John Shaqi.
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