In Grace Lambert, Lord Sandilands had recognised so strong a likeness
to the mother of the little girl whom he had placed under Mrs.
Bloxam's care, and towards whom he had never displayed any fatherly
affection beyond that implied by the punctual and uninterrupted
discharge of the pecuniary obligations which he had contracted towards
that lady, that he entertained no doubt whatever of her identity with
Gertrude Keith. This discovery had agitated him less by reason of any
present significance which it possessed--the girl was clever, and had
achieved in his presence a success of a kind which was undeniably
desirable in such a position as hers--than because it had touched
long-silent chords, and touched them to utterances full of pain for
the old man, who had been so thoroughly of the world, and whom the
world had, on the whole, treated remarkably well. But Lord Sandilands
was growing old, and was naturally beginning to yield just a little to
the inevitable feeling, of being rather tired of it all, which comes
with age, to the best-treated among the sons of men, and had come
perceptibly to him, since Mark Challoner's death had done away with
the last of the old landmarks. Things might have been so different; he
had often thought so, and then put the thought from him hurriedly and
resolutely. He thought so to-day, and he could not put the thought
from him; it would not go; but, as he paced the room, it grew stronger
and stronger and came closer and closer to him, and at last looked him
sternly and threateningly in the face, demanding harbour and reply;
and Lord Sandilands gave it both--no more expelling it, but taking
counsel with himself, and repeating to himself an old story of the
past, which, with a different ending, might have set all his present
in another key;--which story was not very different from many that
have--been told, and not difficult to tell.
Public-domain text, read in full here on John Shaqi.
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