Pretty girls in pretty dresses are not rarities in the lodging-houses
of Brighton; indeed, it would perhaps be difficult to name any place
where they are to be seen more frequently, or in greater numbers; but
the toilet-glass on the table in the back bedroom of Mrs. Bush's
lodging-house, a heavy article of furniture, with a preponderance of
frame, had probably reflected few such faces as that of the lady
calling herself Mrs. Lloyd, who looked attentively into it when she
found herself alone, and decided that she was not so very dusty,
considering.
She was rather tall, and her figure was slight and girlish, but firm
and well-developed. She carried her head gracefully; and something in
her attitude and air suggested to the beholder that she was not more
commonplace in character than in appearance. Her complexion was very
fair and clear, but not either rosy or milky; very young as she was,
she looked as if she had thought too much and lived too much to retain
the ruddiness and whiteness of colouring which rarely coexist with
intellectual activity or sensitive feelings. Her features were
well-formed; but the face was one in which a charm existed different
from and superior to any which merely lies in regularity of feature.
It was to be found mainly in the eyes and mouth. The eyes were brown
in colour--the soft rich deep brown in which the pupil confounds
itself with the iris; and the curling lashes harmonised with both;
eyes not widely opened, but yet with nothing sly or hidden in their
semi-veiled habitual look--eyes which, when suddenly lifted up, and
opened in surprise, pleasure, anger, or any other emotion, instantly
convinced the person who received the glance that they were the most
beautiful he had ever seen. The eyebrows were dark and arched, and the
forehead, of that peculiar formation and width above the brow which
phrenologists hold to indicate a talent for music, was framed in
rippling bands of dark chestnut hair.
Public-domain text, read in full here on John Shaqi.
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