It was a hot morning in July when a cab drew up at the pillars, and
Gilbert Lloyd jumped out, paid the driver, and made his way into the
Inn. The exhalations from the barrows of the fried-fish vendors were
potent, and the change to the faint, sickly perfume of the West-Indian
pine-apple, tastefully arranged in slices on an open barrow which
blocked the immediate thoroughfare, was scarcely refreshing. Perhaps
in July the second-hand garments, even the uniforms, which the Jewish
gentlemen who deal in such trophies hang up at the entrances of their
warehouses, are a thought stronger in flavour than in the winter; and
a fifth-hand portmanteau, which has seen a great deal of service under
various owners, is apt, under the influence of the sun, to suggest its
presence. But Gilbert Lloyd paid no heed to anything of this kind; he
had roughed it too long to care for what came between the wind and his
nobility; not being a literary photographer on the lookout for
"character," he paid no attention to any of the surroundings, but went
straight on, making his way through the jostling crowd until he
arrived at a door, on the posts of which was painted "Gammidge's
Private-Inquiry Office, ground-floor." A farther reference to the
right-hand door of the first-floor discovered a still more elaborate
placard, announcing that "Nichs. Gammidge, many years in the detective
police, undertook inquiries of a private and confidential nature;
agents all over the Continent; strictest secrecy observed; divorce
cases particularly attended to; ring right-hand bell; and no
connection with foreign impostors trading on N.G.'s new invention."
Public-domain text, read in full here on John Shaqi.
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