"Commander Devlin's dead, and Ellis. One supply cart smashed, but the
tank'll be all right. The lizard charged the tank. Balistierri thinks
it was the lizard's mating season, and he figured the tank was another
male and he tried to fight it. Then he stayed--to--lunch and we got
him. Lieutenant Clark is in command now."
The orange glow of Brian's cook unit painted queer shadows on the
strained faces around him, and Hague tried to brighten them up.
"Will you favor us with one of your inimitable harmonica arrangements,
Maestro Bormann?"
"I can't right now. I'm bandaging Helen's wing." He held out something
in the palm of his hand, and the heater's glow glittered on liquid
black eyes. "She's like a little bird, but without her feathers. See?"
He placed the warm lump in Hague's hand. "For wings, she's just got
skin, like a bat, except she's built like a bird."
"You ought to show this to Balistierri, and maybe he'll name this for
you too."
Bormann's homely face creased into a grin. "I did, sir. At the noon
halt when I found it. It's named after my girl. 'Bormann's Helen', only
in Latin. Helen's got a broken wing."
* * * * *
As they ate, they heard the horn note again. Bucci's black eyes were
feverishly bright, his skin hot and dry, and the vine scratches on his
leg badly inflamed; and when the rest began to sing he was quiet. The
reedy song of Bormann's harmonica piped down the quiet forest passages,
and echoed back from the great trees; and somewhere, as Hague dozed off
in his little tent, he heard the horn note again, sandwiched into mouth
organ melody.
Two days of slogging through the slimy green mud, and at a noon halt
Sewell brought back word to be careful, that a man had failed to report
at roll call that morning. The gun crew divided Bucci's equipment
between them, and he limped in the middle of the file on crutches
fashioned from ration cart wreckage. Crosse, who'd been glancing off
continually, like a wizened, curious rat, flung up his arm in a silent
signal to halt, and Hague moved in to investigate, the ever present
Brian moving carefully and with jungle beast's silent poise just behind
him. Crumpled like a sack of damp laundry, in the murk of two root
buttresses, lay Romano, one of the two photographers. His Hasselblad
camera lay beneath his body crushing a small plant he must have been
photographing.
From the back of Romano's neck protruded a gleaming nine-inch arrow
shaft, a lovely thing of gleaming bronze-like metal, delicately thin
of shaft and with fragile hammered bronze vanes. Brian moved up behind
Hague, bent over the body and cut the arrow free.
They examined the thing, and when Brian spoke Hague was surprised that
this time even the rock-steady Sergeant spoke in a hushed voice, the
kind boys use when they walk by a graveyard at night and don't wish to
attract unwelcome attention.
Public-domain text, read in full here on John Shaqi.
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