Architects -- Fiction; World War, 1914-1918 -- England -- Fiction
He simply did not comprehend that all these events were negligible
trifles, that no American correspondent had seen the hundredth part of
the enemy forces, that the troops which marched through Brussels were a
tiny, theatrical side-show, a circus, that the attack on Liége had been
mismanaged, that the great battle at Dinant was a mere skirmish in the
new scale of war, and the engagements with Uhlans mere scuffles, and
that behind the screen of these infinitesimal phenomena _the German
army_, unimagined in its hugeness, horror, and might, was creeping like
a fatal and monstrous caterpillar surely towards France.
A similar screen hid from him the realities of England. He saw bunting
and recruits, and the crowds outside consulates. But he had no idea of
the ceaseless flight of innumerable crammed trains day and night
southwards, of the gathering together of Atlantic liners and excursion
steamers from all the coasts into an unprecedented Armada, of the
sighting of the vanguard of that Armada by an incredulous Boulogne, of
the landing of British regiments and guns and aeroplanes in the midst of
a Boulogne wonderstruck and delirious, and of the thrill which thereupon
ecstatically shivered through France. He knew only that 'the
Expeditionary Force had landed in safety.'
He could not believe that a British Army could face successfully the
legendary Prussians with their Great General Staff, and yet he had a
mystic and entirely illogical belief in the invincibility of the British
Army. He had read somewhere that the German forces amounted in all to
the equivalent of over three hundred divisions; he had been reliably
told that the British forces in France amounted to three divisions and
some cavalry. It was most absurd; but his mysticism survived the
absurdity, so richly was it nourished by news from the strange,
inartistic colonies, where architecture was not understood. Revelation
came to George that the British Empire, which he had always suspected to
be an invention of those intolerable persons the Imperialists, was after
all something more than a crude pink smear across the map of the world.
Withal he was acutely dejected as he left his office to go to the club.
II
Sir Isaac was sitting quite alone in the large smoking-room of the
Artists in Albemarle Street--a beautiful apartment terribly disfigured
by its pictures, which had been procured from fashionable members in the
fashionable taste of twenty years earlier, and were crying aloud for
some one brave enough to put them out of their misery. No interpretation
of the word 'artist' could by any ingenuity be stretched to include Sir
Isaac. Nevertheless he belonged to the club, and so did a number of
other men in like case. The difference between Sir Isaac and the rest
was that Sir Isaac did actually buy pictures, though seldom from
fashionable painters.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account