Architects -- Fiction; World War, 1914-1918 -- England -- Fiction
He was a personage of about forty-five years, with a rather prominent
belly, but not otherwise stout; a dark man; plenty of stiff black hair
(except for one small central bald patch); a rank moustache, and a
clean-shaven chin apparently woaded in the manner of the ancient
Britons; elegantly and yet severely dressed--braided morning-coat,
striped trousers, small, skin-fitting boots, a black flowered-silk
necktie. As soon as you drew near him you became aware of his
respiratory processes; you were bound to notice continually that without
ceasing he carried on the elemental business of existence. Hair sprouted
from his nose, and the nose was enormous; it led at a pronounced slope
to his high forehead, which went on upwards at exactly the same angle
and was lost in his hair. If the chin had weakly receded, as it often
does in this type, Sir Isaac would have had a face like a spear-head,
like a ram of which the sharp point was the top of his nose; but Sir
Isaac's chin was square, and the wall of it perpendicular.
His expression was usually inquisitive, dissatisfied, and
disdainful--the effect being produced by a slight lifting of the back of
the nostrils and a slight tipping forward of the whole head. His tone,
however, often by its bluff good-humour, contradicted the expression. He
had in an extreme degree the appearance of a Jew, and he had the names
of a Jew; and most people said he was a Jew. But he himself seriously
denied it. He asserted that he came of a Welsh Nonconformist family,
addicted to christening its infants out of the Bible, and could prove
his descent for generations--not that he minded being taken for a Jew
(he would add), was indeed rather flattered thereby, but he simply was
not a Jew. At any rate he was Welsh. A journalist had described him in a
phrase: "All the time he's talking to you in English you feel he's
thinking something different in Welsh." He was an exceedingly rich
industrial, and had made his money by organization; he seemed always to
have leisure.
"Here," he curtly advised George, producing a magnificent Partaga,
similar to the one he was himself smoking, "you'd better have this."
He cut the cigar carefully with a club tool, and pushed the match-stand
across the table with a brusque gesture. George would not thank him for
the cigar.
"You're on that Indian barracks, aren't you?"
"Yes. They're in a Hades of a hurry."
"Well, my factory is in much more of a hurry."
George was startled. He had heard nothing of the factory for a month,
and had assumed that the war had scotched the enterprise.
He said:
"Then the war won't stop you?"
Sir Isaac shook his head slowly, with an arrogant smile. It then
occurred to George that this man differed strangely from all other
men--because the sinister spell of the war had been powerless over him
alone. All other men bore the war in their faces and in their gestures,
but this man did not.
Public-domain text, read in full here on John Shaqi.
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