Architects -- Fiction; World War, 1914-1918 -- England -- Fiction
"What do you think of Cézanne?"
"Rule it out!" said Buck, with a warning cantankerous inflection, firmly
and almost brutally reproving this conversational delinquency of
George's. "Rule it out, young man! We don't want any of that sort of
mountebanking in England. We know what it's worth."
George was cowed. More, his faith in Cézanne was shaken. He smiled
sheepishly and was angry with himself. Then he heard Mr. Prince saying
calmly and easily to Miss Haim--the little old man could not in fact be
so nervous as he seemed:
"I suppose _you_ wouldn't come with me to the Prom?"
George was staggered and indignant. It was inconceivable, monstrous,
that those two should be on such terms as would warrant Mr. Prince's
astounding proposal. He felt that he simply could not endure them
marching off together for the evening. Her acceptance of the proposal
would be an outrage. He trembled. However, she declined, and he was
lifted from the rack.
"I must really go," she said. "Father's sure to be home by now."
"May I?" demanded Mr. Buckingham Smith, stooping over Marguerite's
portfolio of designs, and glancing round at her for permission to open
it. Already his hand was on the tape.
"On no account!" she cried. "No! No!... Mr. Cannon, please take it from
him!" She was serious.
"Oh! All right! All right!" Mr. Buckingham Smith rose to the erect
good-humouredly.
After a decent interval George took the portfolio under his arm.
Marguerite was giving thanks for hospitality. They left. George was
singularly uplifted by the fact that she never concealed from him those
designs upon which Mr. Buckingham Smith had not been allowed to gaze.
And, certain contretemps and disappointments notwithstanding, he was
impressed by the entity of the studio. It had made a desirable picture
in his mind: the romantic paraphernalia, the etchings, the canvases, the
lights and shadows, the informality, the warm odours of the lamp and of
the Pilsener, the dazzling white of the tablecloth, the quick, positive
tones of Buckingham Smith, who had always to be convincing not only
others but himself that he was a strong man whose views were
unassailable, the eyes of Buckingham Smith like black holes in his
handsome face, the stylish gestures and coarse petulance of Buckingham
Smith, the shy assurance of little old Prince. He envied the pair. Their
existence had a cloistral quality which appealed to something in him.
They were continually in the studio, morning, afternoon, evening. They
were independent. They had not to go forth to catch omnibuses and
trains, to sit in offices, to utilize the services of clerks, to take
orders, to consider the idiosyncrasies of superiors. They were
self-contained, they were consecrated, and they were free. No open
competitions for them! No struggles with committees and with
contractors! And no waiting for the realization of an idea! They sat
down and worked, and the idea came at once to life, complete, without
Public-domain text, read in full here on John Shaqi.
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