Architects -- Fiction; World War, 1914-1918 -- England -- Fiction
Then she busily lighted the little hall-lamp with his matches, and
hurried down, taking the matches, to the kitchen. After a few moments
George followed her; he was obliged to follow her. She had removed her
coat; it lay on the sole chair. The hat and blouse which she wore seemed
very vivid in the kitchen--vestiges of past glorious episodes in
concert-halls and hansoms. She had lighted the kitchen-lamp and was
standing apparently idle. The alarum-clock on the black mantelpiece
ticked noisily. The cat sat indifferently on the corner of the clean,
bare table. George hesitated in the doorway. He was extremely excited,
because the tremendous fact of what he had done and what she had
permitted, with all the implications, had to be explicitly acknowledged
between them. Of course it had to be acknowledged! They were both fully
aware of the thing, she as well as he, but spoken words must
authenticate its existence as only spoken words could.
She said, beginning sternly and finishing with a peculiar smile:
"I do think this business of father and Mrs. Lobley is going rather
far."
And George had a sudden new sense of the purely feminine adroitness of
women. In those words she had clearly conceded that their relations were
utterly changed. Never before had she made even the slightest, most
distant reference to the monstrous household actuality, unadmitted and
yet patent, of the wooing of Mrs. Lobley the charwoman by her father,
the widower of her mother. If Mr. Haim stayed away from home of an
evening, Mrs. Lobley was the siren who deflected him from the straight
domestic path. She knew it; George surmised it; the whole street had its
suspicions. But hitherto Marguerite had given no sign. She now created
George the confidant of her resentment. And her smile was not an
earnest of some indulgence for her father--her smile was for George
alone.
Public-domain text, read in full here on John Shaqi.
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