The Roman hat mystery : $b A problem in deductionQueen, Ellery
General
The Roman hat mystery : $b A problem in deduction
Queen, Ellery
Detective and mystery stories; Fathers and sons -- Fiction; Novelists -- Fiction; Police -- New York (State) -- New York -- Fiction
The Inspector showed his badge and he and Ellery were hurled with
the jostling crowd into the small lobby of the theatre. Beside the
box-office, his Latin face wreathed in smiles, stood Manager Panzer,
courteous, firm and authoritative, helping to speed the long line of
cash customers from the box-office window to the ticket-taker. The
venerable doorman, perspiring mightily, was standing to one side,
a bewildered expression on his face. The cashiers worked madly. Harry
Neilson was huddled in a corner of the lobby, talking earnestly to
three young men who were obviously reporters.
Panzer caught sight of the two Queens and hurried forward to greet
them. At an imperious gesture from the Inspector he hesitated, then
with an understanding nod turned back to the cashier’s window. Ellery
stood meekly in line and procured two reserved tickets from the
box-office. They entered the orchestra in the midst of a pushing throng.
A startled Madge O’Connell fell back as Ellery presented two tickets
plainly marked LL32 Left and LL30 Left. The Inspector smiled as she
fumbled with the pasteboards and threw him a half-fearful glance. She
led them across the thick carpet to the extreme left aisle, silently
indicated the last two seats of the last row and fled. The two men
sat down, placed their hats in the wire holders below the seats and
leaned back comfortably, for all the world like two pleasure-seekers
contemplating an evening’s gory entertainment.
The auditorium was packed. Droves of people being ushered down
the aisles were rapidly consuming the empty seats. Heads twisted
expectantly in the direction of the Queens, who became unwittingly the
center of a most unwelcome scrutiny.
“Heck!” grumbled the old man. “We should have come in after the curtain
went up.”
“You’re much too sensitive to public acclaim, _mon père_,” laughed
Ellery. “I don’t mind the limelight.” He consulted his wrist-watch and
their glances met significantly. It was exactly 8:25. They wriggled in
their seats and settled down.
The lights were blotted out, one by one. The chatter of the audience
died in a responsive sympathy. In total darkness the curtain rose
on a weirdly dim stage. A shot exploded the silence; a man’s gurgling
shout raised gasps in the theatre. “Gunplay” was off in its widely
publicized and theatrical manner.
Public-domain text, read in full here on John Shaqi.
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