The Roman hat mystery : $b A problem in deductionQueen, Ellery
General
The Roman hat mystery : $b A problem in deduction
Queen, Ellery
Detective and mystery stories; Fathers and sons -- Fiction; Novelists -- Fiction; Police -- New York (State) -- New York -- Fiction
Despite the preoccupation of his father, Ellery, relaxed in the chair
which three nights before had held the dead body of Monte Field, was
able to sit still and enjoy the exceedingly mellow melodrama. The
fine rich voice of James Peale, ushered onto the stage by a series of
climactic incidents, rang out and thrilled him with its commanding
art. Eve Ellis’s utter absorption in her rôle was apparent—at the
moment she was conversing in low throbbing tones with Stephen Barry,
whose handsome face and pleasant voice were evoking admiring comment
from a young girl seated directly to the Inspector’s right. Hilda
Orange was huddled in a corner, dressed flamboyantly as befitted her
stage-character. The old “character-man” pottered aimlessly about the
stage. Ellery leaned toward his father.
“It’s a well cast production,” he whispered. “Watch that Orange woman!”
The play stuttered and crackled on. With a crashing symphony of words
and noise the first act came to an end. The Inspector consulted his
watch as the lights snapped on. It was 9:05.
He rose and Ellery followed him lazily. Madge O’Connell, pretending not
to notice them, pushed open the heavy iron doors across the aisle and
the audience began to file out into the dimly lit alleyway. The two
Queens sauntered out among the others.
A uniformed boy standing behind a neat stand covered with paper cups
was crying his wares in a subdued, “refined” voice. It was Jess Lynch,
the boy who had testified in the matter of Monte Field’s request for
ginger ale.
Ellery strolled behind the iron door—there was a cramped space
between the door and the brick wall. He noticed that the wall of the
building flanking the other side of the alley was easily six stories
high and unbroken. The Inspector bought an orange-drink from the boy.
Jess Lynch recognized him with a start and Inspector Queen greeted the
boy pleasantly.
People were standing in small groups, their attitudes betokening a
strange interest in their surroundings. The Inspector heard a woman
remark, in a fearful, fascinated voice, “They say he was standing right
out here Monday night, buying an orange-drink!”
The warning-bell soon clanged inside the theatre, and those who had
come outside for a breath of air hurried back into the orchestra.
Before he sat down, the Inspector glanced over across the rear of the
auditorium to the foot of the staircase leading to the balcony. A
stalwart, uniformed young man stood alertly on the first step.
The second act exploded into being. The audience swayed and gasped in
the approved fashion while the dramatic fireworks were shot off on
the stage. The Queens seemed suddenly to have become absorbed in the
action. Father and son leaned forward, bodies taut, eyes intent. Ellery
consulted his watch at 9:30—and the two Queens settled back again while
the play rumbled on.
Public-domain text, read in full here on John Shaqi.
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