The Roman Poets of the Republic, 2nd editionSellar, W. Y. (William Young)
History
The Roman Poets of the Republic, 2nd edition
Sellar, W. Y. (William Young)
Latin poetry -- History and criticism
quoted by Cicero in the Tusculan Questions, and this line--
Saepe est etiam sub palliolo sordido sapientia.
He seems to have had nothing of the creative originality of Plautus,
nor ever to have enjoyed the same general popularity. He prepared the
way for Terence by a more careful conformity to his Greek models than
his predecessor had shown, and, apparently, by introducing a more
serious and sentimental vein into his representations of life.
With Terence Roman literature takes a new departure. When he appeared,
a younger generation had grown up, who not only inherited the
enthusiasm for Greek art and letters of the older generation,--of
men of the stamp of the elder Scipio, Æmilius Paulus, T. Quintius
Flamininus,--but who had been carefully educated from their boyhood
in Greek accomplishments. The leading representative of this younger
generation, Scipio Aemilianus, was about the same age as Terence, and
admitted him to his intimacy; thus showing in his early youth the same
enlightened and tolerant spirit and the same cultivated aspiration
which made him choose Panaetius and Polybius as the associates of
his manhood, and induced him to live in relations of frank unreserve
with Lucilius during the latter years of his life. Among the members
of the Scipionic circle, Laelius and Furius Philo were also closely
associated with Terence; and he is said to have enjoyed the favour
of older men of distinction and culture, Sulpicius Gallus, Q. Fabius
Labeo, and M. Popillius, men of consular rank and of literary and
poetic accomplishment[267]. In the interval between Plautus and
Terence, the great gap which was never again to be bridged over had
been made between the mass of the people and a small educated class.
While the former became less capable of intellectual pleasure, and
were beginning to prefer the exhibitions of boxers, rope-dancers, and
gladiators[268], to the comedies which had delighted their fathers,
the latter became more exacting in their demands for correctness and
elegance than the men of a former generation. They had acquired through
education the fastidiousness of scholars and men of culture, a quality
not easily gained and retained without some sacrifice of native force
and popular sympathies. Recognising the immense superiority of the
Greek originals in literature to the rude Roman copies, they believed
that the best way to create a national Latin literature was to deviate
as little as possible, in spirit, form, and substance, from the works
of Greek genius. But though cosmopolitan, or rather purely Greek, in
their literary tastes, they were thoroughly patriotic in devotion to
their country's interests. They cherished their native language as the
great instrument of social and political life; and they recognised
the influence which a cultivated literature might have in rendering
that instrument finer and more flexible than natural use had made
it. By concentrating attention on form and style, without aiming at
Public-domain text, read in full here on John Shaqi.
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