The Roman Poets of the Republic, 2nd editionSellar, W. Y. (William Young)
History
The Roman Poets of the Republic, 2nd edition
Sellar, W. Y. (William Young)
Latin poetry -- History and criticism
Incedunt arbusta per alta, securibu' caedunt,
Percellunt magnas quercus, exciditur ilex,
Fraxinu' frangitur, atque abies consternitur alta.
Pinus proceras pervortunt: omne sonabat
Arbustum fremitu siluai frondosai.[96]
In the longest consecutive passages,--the dream of Ilia, the auspices
of Romulus, and that from book seventh, already quoted as illustrative
of the poet's character,--there is, notwithstanding the roughness of
the lines, something also of Homeric rapidity;--a quality which the
Latin hexameter never afterwards attained in elevated poetry.
The diction also of the Annals is generally fresh and forcible,
sometimes vividly imaginative. But perhaps the most admirable quality
of its style is a grave simplicity and sincerity of tone. Especially
is this the case in passages expressing appreciation of strength
and grandeur of character, as in those fragments from the speeches
of Pyrrhus and of Appius Claudius Caecus, already quoted, and in the
famous lines commemorative of the resolute character and momentous
services of Fabius Maximus.
Unus homo nobis cunctando restituit rem:
Noenum rumores ponebat ante salutem:
Ergo plusque magisque viri nunc gloria claret.[97]
These lines leave on the mind the same impression of antique majesty,
as is produced by the unadorned record of character and work
accomplished inscribed on the tombs of the Scipios.
This truly Roman quality of style, depending on a strong imaginative
sense of reality, is one of the great elements of power in the language
of Lucretius.
III. CHIEF CHARACTERISTICS OF HIS GENIUS AND INTELLECT.
III.--From a review of the extant fragments both of the Tragedies and
the Annals of Ennius, it appears that his prominent place in Roman
literature, and influence over his countrymen, were due much more to
a great productiveness and activity, and to an original force of mind
and character, than to any artistic skill displayed in the conception
or execution of his works. A consideration of the spirit and purpose
of his greatest works has led to the conclusion that they were, in a
considerable measure, inspired by the genius of Rome, and were thus
rather the starting-point of a new literature than the mechanical
reproduction of the literature of the Greeks. It remains to consider
what inference may be formed from these fragments as to the character
of his genius, of his imaginative sentiment and moral sympathies, and
of his intellectual power.
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