The Roman Poets of the Republic, 3rd editionSellar, W. Y. (William Young)
History
The Roman Poets of the Republic, 3rd edition
Sellar, W. Y. (William Young)
Latin poetry -- History and criticism
M. Pacuvius, nephew, by the mother's side, of Ennius, was born
at Brundusium, in the south of Italy, about 219 B.C., and died at
Tarentum about 129 B.C., at the age of ninety. He obtained some
distinction as a painter[11], and he is supposed to have written his
tragedies late in life. Jerome records of him, 'picturam exercuit et
fabulas vendidit.' Cicero represents Laelius as speaking of him as a
friend, 'amici et hospitis mei.' A pleasing anecdote is told by Aulus
Gellius[12] of his intercourse with his younger rival, L. Accius.
'When Pacuvius, at a great age, and suffering from disease of long
standing, had retired from Rome to Tarentum, Accius, at that time
a considerably younger man, on his journey to Asia, arrived at that
town, and stayed with Pacuvius. And being kindly entertained, and
constrained to stay for several days, he read to him, at his request,
his tragedy of Atreus. Then, as the story goes, Pacuvius said, that
what he had written appeared to him sonorous and elevated but somewhat
harsh and crude. "It is just as you say," replied Accius; "and in
truth I am not sorry for it, for I hope that I shall write better
in future. For, as they say, the same law holds good in genius as in
fruit. Fruits which are originally harsh and sour afterwards become
mellow and pleasant; but those which have a soft and withered look,
and are very juicy at first, become soon rotten without ever becoming
ripe. It appears, accordingly, that there should be left something
in genius also for the mellowing influence of years and time."' This
anecdote, while giving a pleasing impression of the friendly relation
subsisting between the older and younger poets, seems to add
some corroboration to the opinion that the Romans valued more the
oratorical style than the dramatic art of their tragedies. It affords
support also to the testimony of Horace and Quintilian in regard to
the distinction which the admirers of the old poetry drew between the
excellence of Pacuvius and Accius:--
Ambigitur quoties uter utro sit prior, aufert
Pacuvius docti famam senis, Accius alti.
Aulus Gellius quotes the epitaph of Pacuvius, written by himself to
be inscribed on his tombstone, with a tribute of admiration to 'its
modesty, simplicity, and fine serious spirit'--'Epigramma Pacuvii
verecundissimum et purissimum dignumque ejus elegantissima gravitate.'
Adolescens, tametsi properas, te hoc saxum rogat,
Ut se aspicias, deinde quod scriptum est, legas,
Hic sunt poetae Pacuvi Marci sita
Ossa. Hoc volebam nescius ne esses. Vale[13].
With its quiet and modest simplicity of tone this inscription is still
significant of that dignified self-consciousness which characterised
all the early Roman poets, though the feeling may have been displayed
with more prominence by Naevius and Plautus, by Ennius, Accius, and
Lucilius, than by Pacuvius.
Public-domain text, read in full here on John Shaqi.
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