The Roman Poets of the Republic, 3rd editionSellar, W. Y. (William Young)
History
The Roman Poets of the Republic, 3rd edition
Sellar, W. Y. (William Young)
Latin poetry -- History and criticism
Tranio in the 'Mostellaria' is, in readiness of resource and resolute
mendacity, a not unworthy member of the fraternity to which Pseudolus,
Chrysalus, and Palaestrio belong. He is, besides, something of a fop
and a fine gentleman, and all his relations with his young and old
master, with Simo and the Banker, are conducted with perfect urbanity.
Yet the 'Mostellaria' is certainly one of those plays to which the
criticism of Horace--
Securus cadat an recto stet fabula talo,--
is peculiarly applicable. No less suitable 'Deus ex machina' than
the crapulous Callidamates can well be imagined for the purpose of
reconciling a justly incensed father and master of a household to the
profligate extravagance of his son, and the audacious mystification of
his slave.
Several other plays turn upon similar 'frustrationes.' Two of the
best of these are the 'Curculio' and the 'Epidicus.' Though there are
lively and humorous scenes in nearly all his plays, and the language
is generally sparkling and vigorous, yet the sameness of situation
and character, and the unrelieved tone of light-hearted merriment and
mendacity with which this class of play is pervaded soon pall upon the
taste. A few, the 'Cistellaria' and the 'Poenulus,' for instance, turn
upon the incident of a free-born child being stolen in infancy, and
recognised by her parents before she has fatally committed herself
to the occupation for which she has been destined. But these are not
among the best executed of the Plautine plays. In the 'Stichus' we
enjoy the unwonted satisfaction of making acquaintance with two wives
who really care for their husbands: and the parasite Gelasimus in that
play is as amusing as the characters of the same kind in the Captivi,
Curculio, Menaechmi, Persa, etc. But the absence of incident, coherent
plot, and adequate _denouement_, must prevent this play from being
ranked among the more important compositions of Plautus. A few however
still remain to be noticed as among the most serious or the most
imaginative efforts of his genius. The 'Aulularia,' 'Trinummus,'
'Menaechmi,' 'Rudens,' 'Captivi,' and 'Amphitryo,' are much more
varied in their interest than most of those already mentioned, and
each of them has its own characteristic excellence.
Public-domain text, read in full here on John Shaqi.
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