The interest of the 'Aulularia' turns entirely on the character of Euclio. Whether or not this embodiment of the miser owes much to the original creation of Plautus, it is certainly realised by him with the greatest truth and vivacity. The whole conception is thoroughly human and original; and though nothing can be more complete than the hypochondriacal possession which his one idea has over his imagination, the character is not presented in an odious or despicable light. In this respect it differs from the frequent presentment of the miserly character in Roman satire, and in most modern works of fiction. Perhaps, except Silas Marner and Pere Goriot, there is no other case of a miser being conceived with any human-hearted sympathy. His exaggerated sense of the value of the smallest sum of money is like a hallucination, arising out of the unexpected discovery of a great treasure after a life of poverty has made pinching and sparing a second nature to him. But this hallucination has left him shrewdness, honesty, pluck, a certain dignity, shown in his relation to Megadorus, and abundance of a grim humour; and it seems to have cleared away, in the _denouement_ of the piece, under the influence of fatherly affection[65]. There are none of the baser or more brutal characters of the Plautine comedies introduced into this play. Eunomia is a rare specimen of a virtuous woman; Megadorus of a worthy and kindly old man, with a didactic tendency which makes him a little wearisome; the 'young lover' shows an honourable loyalty in the reparation of his fault. Though none of these subsidiary characters are conceived with anything like the force and vivacity of Euclio, yet after reading the humours of ancient life, as exhibited in the 'Asinaria,' 'Casina,' and 'Truculentus,' we feel a sense of relief in finding ourselves in such respectable company. The genius with which the chief character of the play is conceived and executed is sufficiently attested by the fact that it served as a model to the greatest of purely comic dramatists of modern times.